tue 24/06/2025

tv

Royal History's Biggest Fibs with Lucy Worsley, BBC Four review - is this version more valid than anyone else's?

Adam Sweeting

Perhaps somebody at BBC Four has had a quiet word with Lucy Worsley, because in this first of a new three-part series she did hardly did any of her usual irritating dressing up. There had to be a bit, though.

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Confronting Holocaust Denial with David Baddiel, BBC Two review - grappling with the incomprehensible

Marina Vaizey

It’s all in the timing. Here was David Baddiel beginning a stand-up turn at a gig in Finchley. A Holocaust survivor gets to heaven, and God asks for a Holocaust joke. God says that his joke isn't funny, and the survivor replies “Well, I guess you had to be there.” Baddiel believes there is nothing that is impervious to a joke.

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The Stranger, Netflix review - strong cast grapples with labyrinthine plotting

Adam Sweeting

This eight-part mystery from Netflix is based on the titular novel by American writer Harlan Coben, who has formed a production company with Rochdale’s own Nicola Schindler, the production brains behind Happy Valley, Last Tango in Halifax and many more.

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Classic Albums: Tears for Fears, Songs From The Big Chair, BBC Four review - anatomy of an anthem

Jill Chuah Masters

Roland Orzabal, co-founder and lead guitarist of Tears for Fears, laughs to himself often during this documentary — the latest in the BBC’s often-excellent, always-forensic Classic Albums series. “I agree, I agree, it sounds great,” says Orzabal. He’s listening to “Shout,” the band’s 1984 Billboard No. 1 hit.

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Sex Education, Series 2, Netflix review - the teen sex show we deserved

Jill Chuah Masters

Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high school educations.

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The Split, Series 2, BBC One review - where the law and family fortunes collide

Adam Sweeting

The return of screenwriter Abi Morgan’s series about a largely-female London law firm is no doubt in tune with our gender and equality-conscious times, but that doesn’t mean it’s great television.

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The Pale Horse, BBC One review - when in doubt, do another Agatha Christie remake

Adam Sweeting

You could sometimes begin to believe that the notion of original TV drama is dying out, replaced by an interminable stream of adaptations and remakes. Did somebody mention Dracula?

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Secrets of the Museum, BBC Two review - the incredible hidden worlds of the V&A

Marina Vaizey

The nation’s public attics – museums – hold a huge jumble of objects collected and used in all sorts of ways to tell us stories of past and present.

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The L Word: Generation Q, Sky Atlantic review - is the new Word as good as the old Word?

Adam Sweeting

The L Word originally ran for six seasons between 2004 and 2009, and its then-revolutionary depiction of the lives of a group of lesbians in Los Angeles won it both a fanatical audience and acclaim for its game-changing content, exploring such topics as same-sex marriage, gay adoption and female sexuality which weren't being seen elsewhere on TV.

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Universal Credit: Inside the Welfare State, BBC Two review - drowning in a bureaucratic quagmire

Adam Sweeting

The benefits system is feared for its resemblance to a vast poisonous swamp, from whose clutches many travellers fail to return. Universal Credit began to be rolled out in 2013, having been announced in 2010 by Conservative work and pensions secretary Iain Duncan Smith, and was supposed to bulldoze a path through the welfare jungle. However, it remains mired in controversy.

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