tue 12/08/2025

tv

Roadkill, BBC One review - David Hare pokes under the floorboards of the Conservative party

Adam Sweeting

A lifelong socialist who has regularly written about the Labour party, playwright David Hare admits that in his career he has “rarely looked closely at the appeal of Conservative values”.

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Taskmaster, Channel 4 review - comedy show makes seamless transfer

Veronica Lee

After nine successful series, a Bafta and an Emmy nomination, Taskmaster has moved from Dave to Channel 4 – amusingly, the broadcaster that its creator Alex Horne first took it to but which turned it down.

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Emily in Paris, Netflix review - addictive escapism in the City of Light

Adam Sweeting

Is Emily in Paris “the dumbest thing on Netflix right now?” or a sugar-rush of escapism in the midst of our global pandemic misery? “We need things to make us smile,” commented one Parisian viewer. “In the time of Covid,we don’t need more to stress us out.”

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Enslaved with Samuel L Jackson, BBC Two review - ambitious history of the slave trade falls short

Adam Sweeting

Enlisting Hollywood giant Samuel L Jackson to host a series about the history of slavery, his own ancestors having been trafficked from West Africa to the Americas, was a headline-grabbing move, and scenes where we travelled with Jackson to the historic slaving hotspot of Gabon rang with a steely sense of commitment.

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Brave New World, Sky 1 review - Aldous Huxley's novel doesn't look very happy on TV

Adam Sweeting

Famous dystopian novels are reliably popular with TV adapters, so it’s strange that this is the first time Aldous Huxley’s treatise on a society controlled by technology and psychological manipulation has been turned into a TV series.

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Black Classical Music: The Forgotten History, BBC Four review - sounds to treasure

Jessica Duchen

Classical music TV documentaries don’t often merit comparison to buses.

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Bernard Haitink: The Enigmatic Maestro, BBC Two review - saying goodbye with Bruckner

Peter Quantrill

Before his retirement last summer at the age of 90, Bernard Haitink worked magic on the podium, no one is in any doubt about that. Lining up one friend and musician after another to admit they don’t know how he does it hardly seems the most promising basis for a feature-length documentary. Yet John Bridcut’s film also works, rather like one of Haitink’s performances, by placing trust in his material and moulding its form with a nudge here, a pause there.

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The Movies: The Seventies review - a mirror on malaise

Graham Fuller

Sky’s 12-part documentary series The Movies is an unabashed celebration of American cinema. Barrages of clips make it an entertaining survey of Hollywood (and occasionally Off-Hollywood) through the years.

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A Special School, BBC Wales review - heartwarming film about special needs education

Saskia Baron

This warm-hearted and informative documentary series about life in a Welsh special education school probably isn’t going to be a ratings buster for the BBC but it’s one of the most touching and well-made shows I’ve seen in a long time.

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Extinction: The Facts, BBC One review - David Attenborough tells a devastating story

Marina Vaizey

Fires are raging: by human agency – unthinking greed – in the Amazonian rainforest, by climate change, arson and accident in California and the American Northwest, and barely under control in Australia, another country whose leading politicians and media deny climate change.

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