fri 25/07/2025

tv

2011: Unlovely Love Stories and Unerotic Erotic Tales

Josh Spero

While I'm still learning to disentangle my mezzo from my Meistersinger, I enjoyed a lot of the opera on offer in London this year, especially at English National Opera. Parsifal was perfect and Rameau's Castor and Pollux, while probably a little too Germanic in direction with its dancing amputated legs and unerotic nudity, was wonderfully sung.

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2011: Mysteries, Mayhem and Margaret

Emma Simmonds

Many have dismissed 2011 as cinematically something of a disappointment, but while close inspection may have identified more cubic zirconia than bona fide diamonds, the year glittered nevertheless. The showstopping Mysteries of Lisbon was undoubtedly the real deal - what a teasing, sumptuous and gorgeously strange film that was (even with a running time in excess of four hours).

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The Borrowers, BBC One

Kieron Tyler

“For three weeks the Beans leave rich pickings for us Borrowers”. It’s probably not how most of us see the Christmas season, but if you’re a miniature person living under the floorboards, the seasonal treasures of the full-size humans – Beans – are irresistible. Setting this lovely one-off adaptation of Mary Norton’s books about the tiny recyclers over the advent count-down and bringing it up to date might have been obvious, but it charmed.

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2011: Farce, Fire and Fast Cars

Adam Sweeting

Every now and again there's a TV series that lives up to the hype, and in 2011 it was Channel 4's Top Boy.  Although this crushing saga of gang violence, drug dealing and conflicted loyalties in Hackney was written by Irishman Ronan Bennett, it felt hauntingly authentic, though Bennett admitted that he'd almost despaired of getting the street-level patois right.

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2011: Glastonbury, Gaga and Charlie Sheen

Thomas H Green

2011 was a year when the wheels of global history cranked noticeably forward, the news always full of images that will be in school text books within a decade. It was also the year when, for most of us, “a bit peeved” became “utterly livid” that greedy, over-privileged vermin had gambled and lost all our money and were clearly getting away with it, unhindered.

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Downton Abbey Christmas Special, ITV1

Adam Sweeting

Though the wind had wailed mournfully through the plot-holes of the second series of Downton Abbey, writer Julian Fellowes was in his element for this two-hour Yuletide spectacular. With the characters in place and a cluster of storylines tantalisingly in play, it boiled down to a grand game of tying knots, building climaxes and sawing off the loose ends.

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Absolutely Fabulous, BBC One

Veronica Lee

Joy was unconfined in my house as the J-team reunited for Christmas to give us the greatest gift of the season. Not that baby and his royal visitors in Bethlehem but Jennifer Saunders, who gathered together her old mates Joanna Lumley, Jane Horrocks, June Whitfield and Julia Sawalha for a cracker of a reunion stuffed with gags.

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Doctor Who Christmas Special: The Doctor, the Widow and the Wardrobe, BBC One

Kieron Tyler

Next time you glance up at the stars, spare a thought for your Christmas tree. It’s probably topped by a star, but some of those in the sky might just be the spirit of the tree itself. By helping free the spirits of the trees in a forest, the Doctor transported the symbols of Christmas into an adventure that only he could have instigated. The combination of Christmas, the World War Two setting, Matt Smith’s vitality and a family uncertain of their future ensured this nostalgic fantasy was an...

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The Joy of Country, BBC Four

Adam Sweeting

The makers of this short history of country music had done a good job of rounding up interviewees, who included such veterans as Ray Price, Merle Haggard and Charley Pride alongside the offspring of several country legends. We met Shooter Jennings (son of Waylon), Hank Williams III and Georgette Jones (daughter of Tammy Wynette and George Jones).

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London's Burning, Channel 4

Adam Sweeting

What finer way to nudge us gently towards the forthcoming festivities and celebrate the season of goodwill than by creating a lurid reconstruction of the riots that scorched through London last summer. London's Burning was assembled principally from news footage of the events, which you'll recall was copious and shockingly vivid, while interspersing it with dramatic re-enactments of people's real-life experiences in Clapham. Quite what it was trying to tell us I'm not sure.

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