sat 16/08/2025

tv

Boss, More4

Adam Sweeting

How can you not love a show that opens with Robert Plant singing "Satan, your kingdom must come down" on the soundtrack? The song is aptly chosen, since Boss is the story of Chicago mayor Tom Kane, a bully, a tyrant and a master of the black arts of political fixing and gloves-off deal-making. But his days are numbered.

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What Do Artists Do All Day?, BBC Four

Fisun Güner

You might phrase the question rhetorically: “just what do artists do all day?” Or you might ask it in the spirit of genuine enquiry: after all, to many, the artist is an exotic creature whose mystery is still to be fully penetrated. Either way, it’s pretty clear that though it may not be “a proper job”,  artworks don’t make themselves. 

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The Challenger, BBC Two

Jasper Rees

When the NASA space shuttle Challenger fell out of the Florida sky on the morning of 28 January 1986 after 73 seconds, killing all seven astronauts, the Nobel-winning theoretical physicist Richard Feynman was the only independent scientist appointed to the investigating panel. He duly made a nuisance of himself, asking awkward questions, ignoring protocols, disobeying instructions and generally making damn sure the appliance of science would dig up the truth protected by vested interests.

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The Lady Vanishes, BBC One

Adam Sweeting

This story is mostly familiar from Alfred Hitchchock's 1938 movie, starring Michael Redgrave and Margaret Lockwood. Among the things it's best remembered for are the comic double act of Basil Radford and Naunton Wayne, playing the cricket-obsessed Charters and Caldicott trying to get home to England from somewhere in pre-war Europe to watch a Test match, and Dame May Whitty as the titular missing person, Miss Froy.

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In The Flesh, BBC Three

Lisa-Marie Ferla

I must confess that I do not understand the zombie as pop culture phenomenon. Why otherwise sensible people would dress up as shuffling, mindless automatons interested only in the consumption of human brains for an annual “zombie walk”, or why somebody would rewrite Jane Austen to give the undead a co-billing is beyond me. As far as the former is concerned, certainly, it seems as if the zombie meme is a satire that has eaten itself.

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The Mimic/Anna & Katy, Channel 4

Jasper Rees

It’s a truism of the impersonator’s art that those who can do other voices have none of their own. On Parkinson, Peter Sellers couldn’t even come down the staircase as himself. When at the end of the show Mike Yarwood said, “And this is me!” a nation switched off. The idea behind The Mimic, starring the remarkable Terry Mynott, is that it accepts the truism as truth.

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Shetland, BBC One

Adam Sweeting

Apparently on a clear day in the Shetlands, you can see Norway and Iceland. And from about halfway through the first instalment of this Caledonian murder mystery, you could see all the way to the final reel and take a well-educated guess about who did it.

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Mr Selfridge, Series Finale, ITV

Tom Birchenough

Watching Mr Selfridge has been like one of those whirlwind tours with the refrain, “It’s Tuesday, so it must be Rome”. Episodes have been defined by the drop-in appearances of Blériot and his aeroplane, Conan Doyle and the séance, Mr FW Woolworth and the like. They've succeeded one another like the purring Monsieur Leclair’s window displays, leaving ongoing interest in character in the shade.

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The Ballad of Mott the Hoople, BBC Four

Kieron Tyler

“Five years,” said former Mott the Hoople fan club president Kris Needs of the band’s lifespan. “That’s how long the Kaiser Chiefs have been around, but who cares?” It seemed an unfair measure. Mott split 39 years ago and the Leeds quirksters are still going strong. But in terms of stitches in rock’s rich tapestry, Mott’s, like the Kaiser Chiefs’, probably wouldn’t darn a sock.

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Heritage! The Battle to Save Britain's Past, BBC Four

Tom Birchenough

He may have been lampooned in his lifetime as the man who kept a pet wasp, but Britain owes much to John Lubbock, the Victorian MP whose legislation gave the country its first bank holiday. His Ancient Monuments bill of 1882 (nicknamed the “monumentally ancient bill" for how long it took to get through Parliament) was even more far-seeing, paving the way for the Heritage movement as we know it.

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