mon 21/07/2025

tv

Nile Rodgers: The Hitmaker, BBC Four

graeme Thomson

It was one of those entirely unverifiable "facts" that music documentaries increasingly prefer over genuine insight: early on in this serviceable but routine overview of a truly stellar talent, we were told that Nile Rodgers’s guitar has “played on two billion dollars' worth of hits”. Who really knows? Who actually cares? You don’t measure the sheer joy of Chic’s “Good Times” or Sister Sledge’s “We Are Family” by counting the cash or doing the math. You simply use your ears.

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Are You Having a Laugh?, BBC One

Veronica Lee

How do we know Jesus Christ was a Jew? He was still living with his mum at 33 and she thought he was God Almighty. Are you offended? I sincerely hope not and profuse apologies if you are, but that was the first religious joke I remember from my Catholic childhood, and which managed to take a swipe at two religions for the price of one.

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New Girl, Series 2/The Mindy Project, E4

Lisa-Marie Ferla

As the second series of Zooey Deschanel-starring US sitcom New Girl gets underway on E4, it’s an interesting exercise to revisit first impressions. I note that when the pilot originally aired, theartsdesk was not as harsh as I was on a show which, over the course of its first year, quickly became one of my favourites.

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Wodehouse in Exile, BBC Four

Jasper Rees

One of the weapons deployed by Blighty in World War Two was humour. Stoical, deflating, relentlessly making light of the darkness, British wit refused to take the Third Reich as seriously as it took itself. The biggest cannon in our arsenal of laughter was PG Wodehouse, or it would have been if the creator of Jeeves and Wooster and, most pertinently, the pompous black shirt Roderick Spode hadn’t accidentally found himself on the other side, and apparently batting for them too.

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Foyle's War, Series 8, ITV

Adam Sweeting

Always a treat to see the shrewd, penetrating gaze of DCS Christopher Foyle back for one of its all-too-brief runs, though no doubt rationing Foyle's War to short series at long intervals is what has enabled writer/creator Anthony Horowitz to sustain it for so long. The three episodes in the new Series 8 find Foyle back in Britain, following a trip to the USA to "tie up some loose ends" from a previous case.

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Boss, More4

Adam Sweeting

How can you not love a show that opens with Robert Plant singing "Satan, your kingdom must come down" on the soundtrack? The song is aptly chosen, since Boss is the story of Chicago mayor Tom Kane, a bully, a tyrant and a master of the black arts of political fixing and gloves-off deal-making. But his days are numbered.

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What Do Artists Do All Day?, BBC Four

Fisun Güner

You might phrase the question rhetorically: “just what do artists do all day?” Or you might ask it in the spirit of genuine enquiry: after all, to many, the artist is an exotic creature whose mystery is still to be fully penetrated. Either way, it’s pretty clear that though it may not be “a proper job”,  artworks don’t make themselves. 

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The Challenger, BBC Two

Jasper Rees

When the NASA space shuttle Challenger fell out of the Florida sky on the morning of 28 January 1986 after 73 seconds, killing all seven astronauts, the Nobel-winning theoretical physicist Richard Feynman was the only independent scientist appointed to the investigating panel. He duly made a nuisance of himself, asking awkward questions, ignoring protocols, disobeying instructions and generally making damn sure the appliance of science would dig up the truth protected by vested interests.

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The Lady Vanishes, BBC One

Adam Sweeting

This story is mostly familiar from Alfred Hitchchock's 1938 movie, starring Michael Redgrave and Margaret Lockwood. Among the things it's best remembered for are the comic double act of Basil Radford and Naunton Wayne, playing the cricket-obsessed Charters and Caldicott trying to get home to England from somewhere in pre-war Europe to watch a Test match, and Dame May Whitty as the titular missing person, Miss Froy.

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In The Flesh, BBC Three

Lisa-Marie Ferla

I must confess that I do not understand the zombie as pop culture phenomenon. Why otherwise sensible people would dress up as shuffling, mindless automatons interested only in the consumption of human brains for an annual “zombie walk”, or why somebody would rewrite Jane Austen to give the undead a co-billing is beyond me. As far as the former is concerned, certainly, it seems as if the zombie meme is a satire that has eaten itself.

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