sat 31/05/2025

tv

The Returned, Channel 4

Adam Sweeting

"Maybe everything that dies someday comes back," Bruce Springsteen posited in "Atlantic City". The residents of the French Alpine village at the centre of The Returned may conclude that he had a point.  

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Love and Marriage, ITV

Lisa-Marie Ferla

They say that you’re not supposed to judge a book by its cover, but I began to grow bored with Love and Marriage about halfway through the opening credits. What seemed like endless pairs of smiling, photogenic couples swung onto the screen against a twee, brightly-coloured backdrop, and I realised I was already struggling to care.

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Mad Dogs, Sky 1/ Hannibal, Sky Living

Adam Sweeting

Previous series of Mad Dogs have seen the quartet of middle-aged geezers embroiled with the Serbian mafia and tangled up in drug deals, conspiracies and murder. For this series three opener, the curtain rose on our bedraggled lads caged up in a derelict prison camp. They were wearing Guantanamo-style orange jumpsuits. Having expected to go to Barcelona on a container vessel at the end of series two, here they were banged up under a shrivelling Moroccan sun.

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The TV Weekend: The Americans (ITV), Spying on Hitler's Army (Channel 4), Case Histories (BBC One)

Adam Sweeting

Take a spoonful of paranoia thriller Arlington Road and shake'n'bake it with a dollop of Homeland and you'd have the bare skeleton of The Americans, tonight's new night import from the American FX channel on ITV. It's 1981, and in the midst of Washington DC suburbia, where the lawns are manicured and dad washes the car on Sundays, lurks an unseen threat. It's married-with-kids couple Elizabeth and Phillip Jennings, who are sleeper agents of the KGB.

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Psychobitches, Sky Arts 1/ Up the Women, BBC One

Veronica Lee

Unfortunate title aside, Psychobitches is a wonderfully original idea - what if famous women through the centuries were alive today and seeking treatment from a psychotherapist? In a quasi-sketch format using the talents of 10 credited writers, it's a neat construct that allows writers' imaginations free rein, unconstrained by time, place or actual facts, and gives a roll call of talented actresses (and the occasional bloke) a chance to do their very best impersonations.

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The Iraq War, BBC Two

Tom Birchenough

Did they get the president? That’s the benchmark question viewers will ask of any new film from documentary house par excellence Brook Lapping and producer Norma Percy ever since they secured an interview with Slobodan Milosevic for their landmark The Death of Yugoslavia. Their strike rate has rather dropped off lately. Even though – or because?

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Shameless, Channel 4

Lisa-Marie Ferla

They say that the most important part of any drama is the journey that it takes its leading characters on. Whatever events have taken place - and after 139 episodes and nearly a decade, this show has had a lot of them - you can expect them to have shaped the characters, who will likely have learned valuable life lessons and evolved.

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Words of Everest, ITV

Jasper Rees

In an average lifetime a human being sits in front of the television for around 29,035 hours. Why? Because it’s there. OK, so the precise statistic is a guess. The figure, like the answer, is more correctly associated with the great outdoors. George Mallory, explaining why he wanted to conquer a mountain nowadays measuring at 29,035 feet, responded with pithy insouciance.

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David Bowie - Five Years, BBC Two

Adam Sweeting

Picking five creatively significant years was quite a smart way of tackling the huge career of David Bowie, though you could argue forever about whether producer/director Francis Whately had chosen the right ones. What about 1969 and the Space Oddity album, or 1970 and The Man Who Sold the World? How about a really bad year like 1987, which gave us Never Let Me Down and the egregious Glass Spider tour?

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The Tudors Season, BBC Two

Jasper Rees

Is the BBC taking dictation from the Gradgrindian brain of Michael Gove? According to the education secretary’s latest wacky diktat, what the nation’s children want is facts facts facts. Plus, in the teaching of history, lots of stuff about England/Britain giving Johnny Foreigner a bloody conk. So let’s give it up one more time for the Tudors, who are essentially our very own Nazis.

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