thu 31/07/2025

tv

Youssou N'Dour: Voice of Africa, BBC Four

Mark Hudson

You either get Youssou N’Dour, or you don’t. For millions on his home turf, the Senegalese singer is a major cultural figure: the street urchin-turned-superstar who almost became president. For large numbers of Western fellow travellers he’s the sexiest, most charismatic figure to emerge from the whole world music phenomenon.

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Martin Luther King and the March on Washington, BBC Two/MLK: The Assassination Tapes, BBC Four

Lisa-Marie Ferla

It was only today I learned that, for copyright reasons, it is impossible to use Martin Luther King’s iconic “I Have A Dream” speech in its entirety without paying a hefty licensing fee to his estate. That knowledge made it easier to understand why a new documentary to commemorate the 50th anniversary of the March on Washington seemed to gloss over its figurehead’s famous words.

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My Hero: Ben Miller on Tony Hancock, BBC One

Jasper Rees

Tony Hancock stopped producing the work on which his reputation rests the best part of half a century ago. He still casts a long old shadow. Many years before BBC Four embarked on its series of biodramas, a life of Hancock starring Alfred Molina captured some of that hulking self-disgust. More recently Paul Merton has become a one-man module in Hancock studies, even going so far as to re-enact some of the old Half Hours.

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Ancient Greece: The Greatest Show on Earth, BBC Four

Claudia Pritchard

Brush up your geography and dust down your history – Dr Michael Scott is investigating the sources of Greek drama and their influence on all theatre to the present day. But he isn’t going to make it easy. The opening instalment of Ancient Greece: The Greatest Show on Earth, a three-parter, was a giddying ride out of Athens to the farthest-flung regions of Google.

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What Remains, BBC One

Tom Birchenough

It’s a while since BBC One served us up for Sunday night primetime something with so much black humour as there is to enjoy in What Remains. The tone of the script from Tony Basgallop (Inside Men) is as sardonic as it comes, and the cast of characters he assembles around its south London location doesn’t look like it will be presenting the human race in its most redeeming light.

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Flamenco: Gypsy Soul, BBC Four

Ismene Brown

Here's an association test - what's next in the sequence: flamenco, gypsy, soul? Yes, you win the free tourist trip to Andalucía along with writer Elizabeth Kinder, with whom you will almost certainly enjoy weak sangria and tapas while stumbling amusingly in bad Spanish, and you won't be troubled by a single unfamiliar thought about this alluring form of dance, music and poetic song.

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How To Be A World Music Star, BBC Four

Peter Culshaw

This was a somewhat nostalgic look at the rise of “World Music” as a genre, starting in the Eighties when the term was first used, essentially as a marketing tool. As the ever ebullient Andy Kershaw put it, the problem was where in record stores “you could put a choir of Bulgarian tractor drivers next to some hot shot guitar slinger from Guinea-Bissau".

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The Man Who Collected the World: William Burrell, BBC Four

Claudia Pritchard

Had the wealthy William Burrell had a son, Glasgow might not have acquired the world-class art collection that the shipping entrepreneur amassed during his long life. But with the birth of a sole daughter came both ambitions and suspicion – he raised Marion to succeed to his art empire, then imagined every suitor to be a gold-digger, breaking off her third engagement with a public announcement in the newspaper that took even her by surprise.

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Top Boy, Series 2, Channel 4

Tom Birchenough

After the almost complete absence of the police from the first series of Top Boy, the sirens are blazing as the follow-on to Ronan Bennett’s tough drug-dealing drama kicks in. Specifically, they’re exhuming the corpse of Kamale, who fell victim to Dushane’s ascendance to the position of Top Boy in the East London estate of Summerhouse. What’s left of Kamale a year on is no pretty sight, even though the scene’s got some spectacular background illumination from the O2 stadium.

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The Great British Bake Off 2013, BBC Two

Lisa-Marie Ferla

Amongst my friends, I am known as an admirer of the baked good in just about all of its forms: the loaf, the sponge, the ubiquitous cupcake. And yet something about The Great British Bake Off has always put me off. The relentless commercialisation of certain stereotypes of post-war frugality, typically practised by female heads of house, over the past few years has left a progressively nastier taste in my mouth as national austerity has hit harder....

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