fri 01/08/2025

tv

Castles in the Sky, BBC Two

Veronica Lee

On the face of it, it's one of the more counter-intuitive pieces of casting this year; surreal stand-up and possible future Labour Mayor of London Eddie Izzard as Robert Watson Watt, the Scottish scientist who helped develop radar. But on second thoughts, perhaps not, as Watson Watt had to overcome prejudice and entrenched opinion to see his vision through.

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Our Zoo, BBC One

Jasper Rees

Well, it’s one way to cure shellshock. The centenary of World War One has produced quite a bombardment of dramas, none quite as curious as Our Zoo. The war is long since over in this new BBC One confection, and men have either come back from the trenches or not. Some have returned but without the full complement of limbs or, in the case of shopkeeper George Mottershead, marbles.

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Gems TV, ITV

Tom Birchenough

The Bennet family had an issue. Time to get the Austenesque quips out of the way.

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Return to Betjemanland, BBC Four

Matthew Wright

Poet and campaigner John Betjeman, who died 30 years ago this year, still has a public profile most writers would die for tomorrow. He shares with Philip Larkin the distinction of having written some memorably, demotically quotable lines of verse, their respective denunciations of Slough and parents being possibly the two best-known pieces of 20th-century verse.

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Andrew Marr’s Great Scots - The Writers Who Shaped a Nation, BBC Two

Tom Birchenough

You didn’t have to wait for the words in the closing credits, “written and presented by”, to know that The Writers Who Shaped a Nation was a project that Andrew Marr was involved with fully. Its sheer broadcasting quality showed it from the beginning. It’s the first project that has taken Marr out of the studio since his stroke, and it confirmed that his agility of mind (and legs, given the amount of mountain walking involved) was as powerful as ever.

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Stammer School: Musharaf Finds His Voice, Channel 4

Tom Birchenough

What a difference four days can make. Stammer School: Musharaf Finds His Voice took us on an emotional journey from deep frustration and pain towards something like triumph and hope. "Triumph" may seem a big word, but it was hard to think of a better one after the film’s final scene where the stammerers whose progress we had been following came out and spoke with confidence in public.

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Star Paws: The Rise of Superstar Pets, Channel 4

Lisa-Marie Ferla

Mid-week at 9pm has always struck me as the perfect televisual sweet spot. It’s not so close to the weekend that you’re likely to want to go out, but enough of the week is done that it seems right to put your feet up and relax with a glass of wine and some exciting new drama or challenging documentary. Or, if you’re Channel 4, an hour on the 'professional pets' that the internet has helped launch to viral fame.

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Worst Place To Be A Pilot, Channel 4

Matthew Wright

Since Big Brother, Channel 4 has become expert at selecting naively self-promoting members of the public, and rubbing their unsuspecting apple cheeks into choice and unsavoury anatomical and psychological corners, for general public amusement. The title of this series suggests only a cosmetic variation on that theme, the question merely being whether it’s Islamists, Russian separatists or the weather that gets them first.

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Al Murray's Great British War Films, BBC Four

Andy Plaice

Fifty-seven minutes into this hour-long programme entitled "Al Murray’s Great British War Films", our host put panellist Dan Snow on the spot and asked him to name his favourite war film. “Does it have to be British?” Snow wondered. For a second it looked like Murray and his other two guests might stick him in solitary confinement for a week, yet Snow’s dizzy reaction was not only (unintentionally) funny but also gave away just how much he’d switched off by now.

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The Honourable Woman, Series Finale, BBC Two

Lisa-Marie Ferla

In the current political climate, it would have been grotesquely inappropriate to conclude even the most fictionalised account of the Israeli-Palestinian conflict with any kind of neat resolution. But even if Hugo Blick’s absorbing thriller had ever dealt in such things, the carefully orchestrated dual-location bloodbath at the climax of its penultimate episode was all the hint one needed that a happy ending was never on the cards.

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