sat 16/08/2025

tv

Glue, E4

Veronica Lee

Jack Thorne's new eight-part drama is set in a fictional but recognisable small English village, Overton, where life is centred on farming and racehorses. A green and pleasant land? Not so much; this is a series with a group of pill-popping, shagging teenagers at its heart – well, it is from the man who wrote Skins.

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Cilla, ITV

Adam Sweeting

With Cilla Black still fighting fit and eminently telly-worthy at 71, it feels a bit odd to find a three-part dramatisation of her life popping up on ITV.

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The Village, Series 2 Finale, BBC One

Tom Birchenough

You may have had to search for his name in the closing credits of this final episode of series two of The Village, but all plaudits were due to its composer Adrian Corker, who gave us a great score which majored in atonality. The acting here remained top class, and the landscapes were still unsurpassable (more on which later), but for conveying a sense of unease in the air, it was the music that brought the atmosphere home.

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British Art at War: Bomberg, Sickert and Nash, BBC Four

Marina Vaizey

At the end of this absorbing documentary about the art – and life – of Paul Nash we visited his tombstone in a Buckinghamshire churchyard, accompanying writer and presenter Andrew Graham-Dixon as he laid sunflowers on the grave. He reminded us that Nash saw the sunflower as a symbol for the soul, turning to the sun; indeed one of his last paintings was “Solstice of the Sunflower”.

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Boardwalk Empire, Series 5, Sky Atlantic

Adam Sweeting

Fans of this dense and rewarding odyssey of Prohibition and American gangsterism are doubtless still reeling from the news that its fifth series will be the last, despite the riotous applause which greeted series four. This unwelcome state of affairs perhaps accounted for the vaguely dissociated and dream-like quality of this season opener, which was as much concerned with filling in some of Nucky Thompson's early history as with driving the plot forward into the 1930s.

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Tyrant, Fox

Adam Sweeting

Created by Gideon Raff, mastermind of Homeland and its Israeli forerunner Prisoners of War, and produced by Howard Gordon (who worked on Homeland and 24), Tyrant parades its roots on its sleeve. Its mix of action thriller and family drama, all souped up by a stiff dose of combustibly unstable Middle East politics, adds up to a slick entertainment formula, but do such deadly and complex issues deserve to be handled quite so glibly?

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All Creatures Great and Stuffed, Channel 4

Tom Birchenough

“Changing perceptions” is the byline that Mitsubishi gives to its sponsorship of Channel 4’s documentary slot. Animal-lovers, a constituency that surely makes up a sizable part of evening viewers, will certainly have come away from Matt Rudge’s bizarrely entertaining film All Creatures Great and Stuffed with their perceptions changed.

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Don't Stop the Music, C4 / The Motorway: Life in the Fast Lane, BBC Two

Jasper Rees

The act of learning music, in a choir or an orchestra, rounds out a young person. What are the benefits again? All together now: improved social skills, concentration, discipline, self-esteem, numeracy, behaviour, confidence. Music makes you better. Society at large would benefit from investing in music education. It sort of beggars belief that this argument still has to be made.

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In the Club, Series Finale, BBC One

Lisa-Marie Ferla

By the time that In the Club reached its final episode, fans of Kay Mellor’s pregnancy-pals drama were probably ready for a happy-ever-after. Across six eventful hours we had seen car crashes, assaults, social workers, a bank robbery and Jill Halfpenny giving birth in a car park.

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The Rules of Abstraction with Matthew Collings, BBC Four

Marina Vaizey

Artist and critic Matthew Collings purported to set out the rules of abstraction through taking the viewer on a very bumpy ride through 20th century painting, with a nod to Cézanne to get us started.

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