tv | The Arts Desk

tv

Homeland, Series 4, Channel 4 / The Code, BBC Four

Adam Sweeting Monday, 13 October 2014

It was tempting to assume that Homeland [****] had died along with Damian Lewis's Brody, last seen dangling gruesomely from a crane in Tehran at the end of series three, but this tense and uncomfortable season-opener suggested that all may not be lost.

Comment

The Great British Bake Off 2014 Final, BBC One

Lisa-Marie Ferla Thursday, 09 October 2014

It feels as though 2014 was the year in which the Twitter generation finally woke up and realised what it had done. For five years a quiet, unassuming baking competition had risen through the ranks to become the most polite BBC One ratings juggernaut in the corporation’s history. Frankly, the world was ready for a bearded ginger Irishman to throw his baked Alaska in the bin and storm off into the great British countryside.

Human Universe, BBC Two

Tom Birchenough Tuesday, 07 October 2014

Brian Cox has a very beguiling way of expressing quiet wonder. He’s taken on the very largest of subjects in Human Universe, extending traditions of science and natural history broadcasting towards a wider study of how the human race has come to be what it is, where it came from and where it may be going, and he doesn’t raise his voice on a single occasion. Other BBC presenters carried away by their subject matter could certainly take a hint.

Bad Education, BBC Three

Matthew Wright Tuesday, 07 October 2014

Two moments of physical comedy from British sitcoms regularly fill the polls of viewers’ favourites: Basil Fawlty thrashing his broken-down car with a branch, and Del Boy falling sideways through a just-opened pub bar.

Cat Watch 2014: The New Horizon Experiment, BBC Two

Marina Vaizey Tuesday, 07 October 2014

Cats have had a harder time adapting to humans than humans to cats, as this remarkable examination of contemporary feline habits points out. It is not always easy changing from wild animal to feline friend, as the programme put it. Nocturnal hunters now have a life in the daytime, but they are still solo rather than pack animals.

Genesis: Together and Apart, BBC Two

Adam Sweeting Sunday, 05 October 2014

Despite a 47-year history which has taken them from pomp to pop and established them as a top-selling global institution, there's still a lingering sense that Genesis don't think they've been taken seriously enough. This was detectable in Phil Collins's comment included here that "we're just popular and there's nothing wrong with that... I won't take the credit and I won't take the blame."

Comment

Peaky Blinders, Series 2, BBC Two

Adam Sweeting Friday, 03 October 2014

So we're off for another blast of between-the-wars ultraviolence with the Shelby gang from Birmingham, once again soundtracked by incongruous electric blues music. Time has moved on from the immediate aftermath of Great War hostilities and now we're into the Twenties, which are roaring as if they're in agony.

Blenheim Palace: Great War House, ITV

Marina Vaizey Friday, 03 October 2014

Julian Fellowes, now the Conservative peer Lord Fellowes, left behind the fictional world of Gosford Park and Downton Abbey to give us this sumptuous tour of Blenheim Palace. Nor were its surroundings neglected as vista after vista showed us Blenheim’s lavishly landscaped gardens, fountains and columned monument to John Churchill, ^1st Duke of Marlborough, victorious over Louis XIV.

The Paedophile Hunter, Channel 4

Jasper Rees Thursday, 02 October 2014

In a house in Nuneaton, a man calling himself Stinson Hunter lures paedophiles towards exposure, shame and possible prosecution. “We set the profile that is like the rope,” he explained. “And then if they choose to put that rope round their neck and hang theirselves [sic], that is their choice. We have not pushed them.”

Comment

Marvellous, BBC Two

Jasper Rees Friday, 26 September 2014

Marvellous reviews itself in its title. The story of Neil Baldwin starring Toby Jones was – and is, because you should catch it while you can on iPlayer – simply marvellous. As a dramatic character Neil Baldwin could be mistaken for unremarkable. He has no hidden depths.