mon 11/08/2025

tv

The Paedophile Hunter, Channel 4

Jasper Rees

In a house in Nuneaton, a man calling himself Stinson Hunter lures paedophiles towards exposure, shame and possible prosecution. “We set the profile that is like the rope,” he explained. “And then if they choose to put that rope round their neck and hang theirselves [sic], that is their choice. We have not pushed them.”

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Marvellous, BBC Two

Jasper Rees

Marvellous reviews itself in its title. The story of Neil Baldwin starring Toby Jones was – and is, because you should catch it while you can on iPlayer – simply marvellous. As a dramatic character Neil Baldwin could be mistaken for unremarkable. He has no hidden depths.

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Jungle Atlantis, BBC Two

Marina Vaizey

Angkor Wat in Cambodia is the biggest religious complex ever built. It is also one of the most beautiful and awe-inspiring structures ever created, even now still a working temple with both Buddhist and Hindu connections. It was at the heart not only of a vast medieval city but an empire that dominated southeast Asia for centuries.

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Scott & Bailey, Series 4, ITV

Florence Hallett

When Rachel Bailey (Suranne Jones) told the promotion board at the beginning of this series: “I’m not a liability, I’m a safe pair of hands”, we knew it would be a matter of sitting back and waiting to see in what manner she would heap disgrace upon herself.

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The Driver, BBC One

Matthew Wright

A mental blur of airports, stations and dangly cardboard air freshener, minicab-driving has always seemed vulnerable to cliché. The problem facing Vince McKee, David Morrissey‘s driver protagonist in BBC One’s new three-parter, is that the rest of his life is even more dull. His job as a cabbie, involving copious urine, vomit, and a stiletto heel to the neck before he gets tangled up in a criminal gang, is action-packed by contrast.

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Our Girl, BBC One

Lisa-Marie Ferla

If Molly Dawes (Lacey Turner) had to find one act of heroism with which to fully incorporate herself into her new squadron before the credits rolled, she couldn’t have planned it better: winched aboard a helicopter, her fist in the groin of the one-night stand who had been undermining her since her arrival to stop him bleeding to death, while Paramore - or some fearsome girl-rock on a more acceptable budget - throbbed in the background.

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Downton Abbey, Series 5, ITV

Adam Sweeting

As unavoidable as death and taxes, as inevitable as the rotation of the seasons, Downton Abbey has created the illusion of time-hallowed permanence in a mere four years.

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Legends, Sky 1 / The Strain, Watch

Lisa-Marie Ferla

Let's face it, there are so many big-budget, densely plotted US TV imports around now that it seems a little hackneyed to compare them to buses - but even by those standards, scheduling the two newest ones concurrently seems a little careless. Your choice: Legends, an FBI procedural with a twist from Homeland show-runner Howard Gordon; or Guillermo del Toro's vampire virus horror The Strain.

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This World: Ireland's Lost Babies, BBC Two

Jasper Rees

We think we know the story. As recounted in Philomena, in the 1950s and ‘60s the Irish state and Catholic Church colluded in putting children born out of wedlock up for adoption. A small minority was sent to America, causing a lifetime of trauma and longing in both mothers and children. For portraying one such mother who went in search of her son, Judi Dench was nominated for an Oscar, and the woman she played met Pope Francis.

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Glue, E4

Veronica Lee

Jack Thorne's new eight-part drama is set in a fictional but recognisable small English village, Overton, where life is centred on farming and racehorses. A green and pleasant land? Not so much; this is a series with a group of pill-popping, shagging teenagers at its heart – well, it is from the man who wrote Skins.

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