tue 30/09/2025

tv

The Passing Bells, BBC One

Adam Sweeting

We seem to have spent most of 2014 examining the social, political, historical, geographical and military ramifications of the First World War. You would have thought, therefore, that the upcoming Remembrance Sunday commemorations could have been allowed to stand alone, uncluttered by further efforts to explain or dramatise the events of 1914.

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The Missing, BBC One

Jasper Rees

Given the long shadow cast by the disappearance of Madeleine McCann, it’s sort of surprising that no drama department has commissioned something like The Missing before. It’s not the same story of course. The child alluded to in the title is a five-year-old boy, not a three-year-old girl, and he’s abducted in France rather than Portugal. But it’s impossible not to be aware of the story’s factual parallel.

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Imagine... The Art That Hitler Hated, BBC One

Marina Vaizey

Alan Yentob’s culture programme, Imagine, returned for its autumn season with a two-part examination of one of the most potently disturbing episodes in the history of art, let alone culture. Even before the programme’s title, masterpieces by such as Kirchner, Beckmann and Klimt flashed before our eyes.

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Intruders, BBC Two

Adam Sweeting

"Baffling paranormal thriller" is your drive-thru soundbite to describe Intruders, but despite a lingering threat of genre-cliché, it holds your attention with a very capable cast and some stylish cinematography. The action is set in Washington State and Oregon in the American Northwest (though it was apparently shot over the border in British Columbia), and the chilly, metallic light has a distinctly Scandinavian air.

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The Art of Gothic: Britain's Midnight Hour, BBC Four

Florence Hallett

Andrew Graham-Dixon’s villainous alter ego got a second airing tonight in his exploration of 19th-century Britain’s love of all things Gothic. Last week we saw him hanging about in decaying graveyards, or appearing, wraithlike in a dank corner of a Gothic ruin, while ravens circled portentously overhead (main picture).

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Grayson Perry: Who Are You?, Channel 4

Jasper Rees

The night before he was locked up, Chris Huhne had that Grayson Perry round for tuna steaks. Who knew? Perry was embarking on a series of portraits about identity at a crossroads, and can there be a more public crisis of identity than a Cabinet minister going to prison? But first Perry wanted to get to know his subject. Huhne was resistant to probing.

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Storyville: Russia's Toughest Prison - The Condemned, BBC Four

Tom Birchenough

The initial challenge – and there should be no underestimating the scale of it – of Nick Read’s documentary Russia's Toughest Prison - The Condemned must have been getting into a location which the great majority of its inmates will never leave.

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Schama on Rembrandt: Masterpieces of the Late Years, BBC Two

Marina Vaizey

The chatty, loquacious, exuberant Simon Schama, whose seminal 1987 book on Holland in the 17th century, The Embarrassment of Riches, transformed the anglophone’s understanding of the Dutch Republic, describes himself as historian, writer, art critic, cook, BBC presenter. He is also the University Professor of History and Art History at Columbia, and has written 14 substantial and even significant books.

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The Great Fire, ITV

Lisa-Marie Ferla

It takes some brass neck to look at one of the most destructive events in London’s history, which destroyed a chunk of the poorest part of the city and left an estimated 70,000 people homeless, and think that it wasn’t dramatic enough.

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The Knick, Sky Atlantic

Fisun Güner

That there is something of the Sherlock Holmes about Dr John Thackery – the Shakespeare-quoting, opium and cocaine-addicted surgeon in this Steve Soderbergh-directed 10-part drama set in a New York hospital in 1900 – hasn’t gone unnoted. But although Thackery, played with a certain gruff charm by Brit actor Clive Owen, is clearly a maverick with a clandestine habit, a happy outcome for his patients is rarely on the cards.

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