tv
In Plain Sight, ITVThursday, 08 December 2016
Another week, another serial killer on prime time. In Dark Angel we had the grim story of Mary Ann Cotton, the Victorian poisoner who killed her husbands for the insurance. Meanwhile John Christie continues his grim work in Rillington Place. And now In Plain Sight introduces another chilling psychopath going about his business. Read more... |
Slum Britain: 50 Years On, Channel 5Wednesday, 07 December 2016
In the late 1960s, photographer Nick Hedge travelled the country, documenting some truly horrific housing conditions and the people who were forced to live in them. He photographed entire families living in one room with no heating or access to running water – people who had almost literally nothing. These weren’t isolated people on the fringes of society, these were communities, for many of those involved, this was normal. Read more... |
This Is Us, Channel 4Wednesday, 07 December 2016
Any show that starts with a shot of a naked bubble-butt is likely to grab the attention – especially when it belongs to Milo Ventimiglia – but, alas, the barefaced cheek of this opening gambit becomes all too symbolic. This Is Us scrapes the bottom of the barrel of American TV drama. However, its saving grace could be that it does so with irony – there are 17 more episodes to come. Read more... |
The Missing, Series 2 Finale, BBC OneThursday, 01 December 2016
Anyone hoping for a few laughs and a nice bit of catharsis after enduring the eight unstintingly miserable episodes of The Missing would have got none of the former and hardly any of the latter. Read more... |
Rillington Place, BBC OneWednesday, 30 November 2016
Howard Brenton (Christie in Love) and Ruth Rendell (Thirteen Steps Down) are just two of the many writers inspired by the sordid goings-on in 1940s Notting Hill. John Reginald Christie was a postman, a policeman and a psychopath who, as a back-street abortionist, enjoyed killing for company. A fantasist with an iron grip, he ensured that his lodger, Tim Evans, was the first to be hanged for his crimes. Read more... |
MPs: Behind Closed Doors, Channel 5Tuesday, 29 November 2016
TV can be a powerful tool of redemption. Take Strictly Come Dancing – anything that can shift perception of Ann Widdecombe from poisonous homophobe to innocuous have-a-go hero is dark, dark magic indeed. Just this week, the Strictly dancefloor has finally bid goodbye to Ed Balls after housing him for almost as long as the role of Shadow Home Secretary, and society is opening its arms to him – a politician with a reputation as a ruthless bully. Read more... |
The Brits Who Designed the Modern World, BBC TwoSunday, 27 November 2016
The Kenwood Chef! Intercity 125! Kodak Instamatic! Wilkinson Sword disposable razors! Bus shelters! Parking meters! They were all designed by a British genius, Sir Kenneth Grange, who appeared here as the subject of a short and disarmingly confident interview, intiating a series of such interviews. Read more... |
Walliams & Friend, BBC OneSaturday, 26 November 2016
The sketch format goes in and out of favour. It was huge in the 1970s, crawled under a rock when alternative comedians found other means of expression, and was reinvigorated 20 years ago by genuinely inventive shows like Big Train and The Fast Show. Since then, easily the biggest kid on the block has been Little Britain, which married mainstream appeal with a flair for subversion. Read more... |
Young, Gifted and Classical: The Making of a Maestro, BBC FourMonday, 21 November 2016
This is a documentary about a minority in a minority, a riff on young, gifted and black. And how better to attract both practitioners and audiences to classical music than by encouraging diversity? The totally startling statistic was that in the UK, only five per cent of classical musicians are black or from ethnic minorities. Read more... |
The Grand Tour, Amazon PrimeSaturday, 19 November 2016
The Jeremy Clarkson trio must have been vastly amused by the disastrous progress of the Chris Evans version of Top Gear, which staggered across our screens in the summer and prompted the new host to fall on his sword, but they shouldn't be resting on their laurels just yet. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
theartsdesk Q&A: Zoë Telford on playing a stressed-out p...
If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...
Album: Rico Nasty – LETHAL
Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...
The Marching Band review - what's the French for '...
In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...
Lucy Farrell, Catherine MacLellan, The Green Note review - s...
Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...
1536, Almeida Theatre review - fast and furious portrayal of...
Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three young women...
The Comedy About Spies, Noel Coward Theatre review - 'G...
From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...
Album: Billy Nomates - Metalhorse
Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It especially...
House of Games, Hampstead Theatre review - adapted Mamet scr...
There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...
Karim Said, Leighton House review - adventures from Byrd to...
William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...