sun 08/06/2025

tv

Ireland with Ardal O'Hanlon, More4

Veronica Lee

There has been an abundance of celebrity travelogues of late and with each one comes a new USP. Speaking just of Ireland, train enthusiast Michael Portillo nabbed the Victorian Bradshaw's rail guides, while the adventurous Christine Bleakley explored its wild side; and now Ardal O'Hanlon uses another set of Victorian guidebooks to take us on a three-part journey through his homeland.

Read more...

Dirk Gently's Holistic Detective Agency, Netflix

Jasper Rees

Dirk Gently’s shtick as a detective is interconnectedness. Everything happens for an incalculable reason, there’s no such thing as chance, and all neural pathways lead randomly to the correct outcome. It's a philosophy paper gussied up as a whizzbang entertainment. “I will eventually solve the mystery merely by doing whatever,” says Dirk, having introduced himself as a detective.

Read more...

Westworld, Series 1 Finale, Sky Atlantic

Adam Sweeting

Anyone who expected a simple robots-versus-humans confrontation, like in Michael Crichton's original Westworld movie from 1973, had another think, or bunch of thinks, coming. The final episode of the Jonathan Nolan/JJ Abrams Westworld was more like a sci-fi manifesto for a post-human world.

Read more...

Planet Earth II: Cities, BBC One

Marina Vaizey

Cities, the fastest growing habitats in the history of the world, provided the subject for the sixth and final programme in Planet Earth II, the series that came a decade after the original Planet Earth programmes set new standards for television coverage of wildlife and nature.

Read more...

Vienna: Empire, Dynasty and Dream, BBC Four

Marina Vaizey

Ebullient, prolific, loquacious and a charmingly enthusiastic historian both in print and for television, Simon Sebag Montefiore has turned his attention to the pivotal city of Vienna, nourished equally by the Danube and its central geographical position in Europe.

Read more...

In Plain Sight, ITV

Jasper Rees

Another week, another serial killer on prime time. In Dark Angel we had the grim story of Mary Ann Cotton, the Victorian poisoner who killed her husbands for the insurance. Meanwhile John Christie continues his grim work in Rillington Place. And now In Plain Sight introduces another chilling psychopath going about his business.

Read more...

Slum Britain: 50 Years On, Channel 5

Barney Harsent

In the late 1960s, photographer Nick Hedge travelled the country, documenting some truly horrific housing conditions and the people who were forced to live in them. He photographed entire families living in one room with no heating or access to running water – people who had almost literally nothing. These weren’t isolated people on the fringes of society, these were communities, for many of those involved, this was normal.

Read more...

This Is Us, Channel 4

Mark Sanderson

Any show that starts with a shot of a naked bubble-butt is likely to grab the attention – especially when it belongs to Milo Ventimiglia – but, alas, the barefaced cheek of this opening gambit becomes all too symbolic. This Is Us scrapes the bottom of the barrel of American TV drama. However, its saving grace could be that it does so with irony – there are 17 more episodes to come.

Read more...

The Missing, Series 2 Finale, BBC One

Adam Sweeting

Anyone hoping for a few laughs and a nice bit of catharsis after enduring the eight unstintingly miserable episodes of The Missing would have got none of the former and hardly any of the latter.

Read more...

Rillington Place, BBC One

Mark Sanderson

Howard Brenton (Christie in Love) and Ruth Rendell (Thirteen Steps Down) are just two of the many writers inspired by the sordid goings-on in 1940s Notting Hill. John Reginald Christie was a postman, a policeman and a psychopath who, as a back-street abortionist, enjoyed killing for company. A fantasist with an iron grip, he ensured that his lodger, Tim Evans, was the first to be hanged for his crimes.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Gold, Series 2, BBC One review - back on the trail of th...

The first series of The Gold in 2023 was received rapturously, though apparently it only told one half of the story of the 1983 Brink’s-...

Così Fan Tutte, Nevill Holt Festival/Opera North review – re...

Marianne Moore once famously defined poems as “imaginary gardens with real toads in them”. Operas also fill, or anyway should fill, their...

Music Reissues Weekly: Gather In The Mushrooms

“Forest and the Shore” by Keith Christmas is remarkable. In his essay for Gather In The Mushrooms, compiler, author and Saint Etienne...

Big Star: The Nick Skelton Story review - the ways of a man...

If you’re horse mad or merely an every-four-years Olympic fan, you already know Nick Skelton’s story. Equestrianism can favour mature competitors...

Album: Marina - Princess of Power

Marina Diamandis is a proper pop star, brilliantly full-on...

Müller-Schott , RSNO, Søndergård, Usher Hall, Edinburgh - sp...

There was a neat conjunction of commemorations to this concert, the most obvious one being the fact that that 2025 marks the 50th anniversary of...

Hamad Butt: Apprehensions, Whitechapel Gallery review - cool...

Hamad Butt studied at Goldsmiths College at the same time as YBAs (Young British Artists) like Damien Hirst and Gillian Wearing; but whereas they...