thu 24/07/2025

New Music Reviews

Reissue CDs Weekly: The Velvet Underground, Neal Ford & the Fanatics

Kieron Tyler

 

The Velvet Underground White Light/White HeatThe Velvet Underground: White Light/White Heat

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Blues America: Woke Up This Morning, BBC Four

Kieron Tyler

“Long may it stay a mystery,” said Keith Richards, the first talking head seen in this opening shot of a two-part excursion through blues music. Self-evidently, two hours devoted to this oft-explored subject wasn’t going to leave too many mysteries. Woke Up This Morning did tread new ground though – at least for British television – by recalibrating perceptions of authenticity and motivation.

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Bob Dylan, Royal Albert Hall

Tim Cumming

And so Dylan’s tour of European theatres, opera houses and concert halls ended on Thursday night at the Royal Albert Hall, his first dates here in 46 years. I’ve seen him plenty of times over the past 30 years. This was the best of them. Dylan’s found a way to use his voice again, and his group is so nuanced to its needs, it’s a pure pleasure to hear.

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Reissue CDs Weekly: BBC Radiophonic Workshop

Kieron Tyler

 

 BBC Radiophonic MusicBBC Radiophonic Workshop: BBC Radiophonic Music / The Radiophonic Workshop

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Essentially Ellington, Queen Elizabeth Hall

peter Quinn

Now in its eighteenth year, the Scottish National Jazz Orchestra (SNJO) demonstrated last night why it's considered one of Europe’s finest big bands. Brilliantly directed by tenor sax player Tommy Smith and featuring the great Brian Kellock on piano, the band performed music from their acclaimed In The Spirit of Duke released earlier this year.

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John Etheridge & Philip Catherine/Igor Gehenot Trio, The Vortex, Dalston

Matthew Wright

Distinguished jazz guitarists Philip Catherine and John Etheridge made (a little bit of) history at The Vortex last night, playing together for the first time. In a perfect balance of youth and experience, the evening also saw the launch of a debut album, Road Story, by the Igor Gehenot Trio (like Catherine, recorded by Brussels-based Igloo Records), with original compositions by the precocious 23 year-old pianist Gehenot.

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Sonica, Glasgow

Igor Toronyi-Lalic

At first it looked like a joke. But, as each muscle spasm, set off by an electric shock, did appear to produce a pained expression in the performer and a subsequent note, one slowly had to accept that these four string quartet players were indeed being electrocuted into performance. The Wigmore Hall, it wasn’t. Sonica, it certainly was.

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Ian Shaw, The Elgar Room, RAH

Matthew Wright

Even Joni Mitchell wasn’t spared an affectionate ribbing, as jazz singer Ian Shaw continued his Joni at 70 Tour with a combination of sincerity and satire, both red-raw, in the Elgar Room last night. Stripping pretensions compulsively, Shaw gave an engrossingly witty performance of the work of the great singer once known, we learnt, as “Moany Mitchell” in the young Shaw’s household.

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Brad Mehldau and Mark Guiliana, Barbican

Peter Culshaw

For someone who has built a reputation for limpid, introspective piano playing, last night was a new adventure both for Brad Mehldau and his (mainly) supportive audience. He has covered fellow introvert Nick Drake’s songs, and he is a master of thoughtful, expressive piano. So when we hear he's doing a show that references drum ’n’ bass and 1970s funk in a duo with a drummer with synths and Fender Rhodes, a certain apprehension is in order.

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Christian Scott Quartet, Ronnie Scott's

Matthew Wright

With the bell of his Dizzy Gillespie-style “bent” trumpet pointing skywards like a rocket launcher, Scott dominated the stage at Ronnie Scott’s last night, every bit the iconic jazz trumpeter. Instead of the clearly-articulated, pure-toned pulse of a Louis or a Dizzy, Scott’s trumpet voice is smudgy, occasionally even grimy, with chromatic bursts of notes, played so fast you can’t always hear the join.

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