sun 28/09/2025

New Music Reviews

Reissue CDs Weekly: The Love Affair

Kieron Tyler

 

The Love Affair Steve Ellis Time Hasn’t Changed us The Complete CBS Recordings 1967-1971The Love Affair/Steve Ellis: Tim...

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Chaka Khan, Ronnie Scott's

mark Kidel

The voice is the pinnacle of instruments, the surefire road to the heart. But the core humanity which distinguishes it can work both ways: the vulnerability displayed so powerfully in human song makes possible the expression of powerful emotions but it can also pitilessly expose the flaws in an artist’s work.

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Suicide, Barbican

Thomas H Green

What do we do when our heroes become incapable of doing what made them our heroes in the first place? Who are we to say when an artist is too old and broken to be on stage, if that’s where they want to be?  Where is the line between thrilling avant-punk chaos and an unrehearsed shambles? When does an enthused audience willing a band to succeed, whatever the evidence to the contrary, slip into the realms of self-delusion?

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Max Cooper and Tom Hodge, Abbey Road Studios

Barney Harsent

I’m in a car and I’m uncomfortably hot. The reason I’m in a car is I’m on my way to a gig on the first day in 14 years that industrial action has brought London Underground to a standstill. No skeleton service, no contingency, just closed doors and solidarity. This means it’s bumper-to-bumper and I’m running late. Very late. I’m on my way to Abbey Road Studios where Studio Two has been opened up for a special performance by pianist and composer Tom Hodge and electronic producer Max Cooper....

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Chick Corea & Herbie Hancock, Barbican

Thomas Rees

There was a buzz at the Barbican last night, the kind that makes you feel like a child again, a ripple of electric energy that only comes with seeing the true greats. And they don’t come much greater than Chick Corea and Herbie Hancock, two jazz legends with strikingly similar trajectories. Both cut their teeth playing with Miles, both helped determine the direction of jazz-rock fusion and, though they’re now in their mid 70s, both have continued to push the boundaries.

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Reissue CDs Weekly: Sex Pistols

Kieron Tyler

 

Sex Pistols SpunkSex Pistols: Spunk

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CD: Alternative TV - Opposing Forces

Thomas H Green

Apart from Simon Reynolds paying tribute in Rip It Up And Start Again, his definitive history of post-punk – notably to the demented experimentalism of ATV’s second album Vibing Up The Senile Man – there has been little extended acknowledgement of these definitive Seventies originals. Frontman Mark Perry pops up regularly as a talking head on programmes about punk, but the focus is always, not unreasonably, the year-long run of his famous fanzine Sniffin’ Glue.

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NYCC, NYJO, Southwark Cathedral

David Nice

Cleopatra in her barge gliding down the nave of Southwark Cathedral? Only figuratively, in the hypnotic “Half the Fun” movement of Duke Ellington’s constantly surprising Shakespeare compendium Such Sweet Thunder. Still, it wouldn’t be that much stranger than the combination of a jazz orchestra and a chamber choir – so superlative as not to need the “youth” in their names observed – celebrating Shakespeare in his local place of worship.

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theartsdesk at Glastonbury Festival 2015

Caspar Gomez

Caspar Gomez stays offline at Glastonbury. This report arrived at theartsdesk two days later handwritten by fax with an accompanying preamble which said only, “This scribble has now suitably matured in the cider-oaked barrels of a pot-holed brain. I am Uncle Fuckle and I’m here to bring the pain. It began like this…”

Thursday 25th June

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Amy

Kieron Tyler

“I don’t think I could handle it, I think I’d go mad.” It’s the sort of answer given by anyone asked how they’d react to fame. With the possibility looming of recognition beyond jazz circles, Amy Winehouse, who was then not so well-known, responded with something which could have appeared trite; the humble words of an aspirant not wanting to seem too big for her boots.

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