sun 13/07/2025

Film Interviews

'Corsage' director Marie Kreutzer: 'Being beautiful is her only currency'

Nick Hasted

It’s 1877, and Austria’s Empress Elisabeth (Vicky Krieps) is first seen gasping under freezing water, skin blotchy with another extreme treatment to maintain her legendary beauty. Every day she constricts herself in her corset, as she’s constrained as Emperor Franz Joseph’s trophy wife. Nearing the dangerous female age of 40, the corset tightens notch by notch.

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theartsdesk Q&A: filmmaker Mike Hodges

David Thompson

It can be reasonably argued that Mike Hodges, who died on 17 December, was the finest director of British crime films since Alfred Hitchcock.

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Directors the Dardenne brothers: 'To be living means to be fragile'

Nick Hasted

Belgian brothers Luc and Jean-Pierre Dardenne have made their home region of Liège the site of excruciating moral crises and crushing injustice. Their 12 masterful, double Palme d'Or-winning films act as parables for the embattled human soul.

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Wilko Johnson (1947-2022): The Bard of Canvey Island

Nick Hasted

Wilko Johnson, who has died aged 75, enjoyed an astonishing afterlife while he was still alive. After Julien Temple’s Dr. Feelgood film Oil City Confidential (2009) restored his crucial former band's profile, a terminal cancer diagnosis in 2013 perversely flooded Wilko with the wonder of life, leaving this melancholy soul content for perhaps the first time.

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Q&A: Bianca Stigter, director of 'Three Minutes: A Lengthening'

Graham Fuller

Holidaying in Europe with his wife Lisa and friends in August 1938, David Kurtz of Flatbush, Brooklyn, whose family left Poland in 1892 when he was four, returned to his hometown of Nasielsk (population 7,000), 33 miles north-west of Warsaw.

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Leslie Phillips: 'I can be recognised by my voice alone'

Jasper Rees

Leslie Phillips would have known for half a century that at his death, which was announced yesterday, the obituaries would lead with one thing only. However much serious work he did in the theatre and on screen, he is forever handcuffed to the skirt-chaser he gave us in sundry Carry Ons and Doctor films and London bus movies.

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William Hurt, great Hollywood contrarian, has died at 71

Jasper Rees

No actor had a classier time of it in the Eighties than William Hurt, who has died at the age of 71. Ramrod tall, blue-eyed and aquiline, with a high forehead swept clear of thin fair hair, he was a brash decade's intelligent male lead.

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10 Questions for filmmaker Romola Garai

Graham Fuller

The prolific actor Romola Garai first demonstrated her ability as a filmmaker with Scrubber, a gripping 20-minute feminist drama about a young middle-class mum and homemaker (Amanda Hale) who escapes her deadly routine through bouts of anonymous countryside sex; thematically, it anticipated the current critical favorite The Lost Daughter by nine years.

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theartsdesk Q&A: filmmaker Marco Kreuzpaintner

Adam Sweeting

In 2011, Ferdinand von Schirach’s novel Der Fall Collini (The Collini Case) was published, its narrative of crime and punishment inspired by a law passed in Germany in 1968.

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theartsdesk Q&A: choreographer Christopher Scott

Jenny Gilbert

Having won recognition for his streetdance routines on American TV’s So You Think You Can Dance, choreographer Christopher Scott was asked to help bring Lin-Manuel Miranda’s pre-Hamilton stage hit to the big screen. In The Heights was shot entirely on location on the streets of Washingt

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Filmmaker Darius Marder: 'Deafness is a culture. That's not being PC'

Owen Richards

Sound of Metal has been a long time coming. Director and writer Darius Marder faced years of delays ranging from casting changes to the whole world shutting down. Was it worth the wait? Well, six Academy Award nominations including Best Film certainly suggest it was.

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Filmmaker Frank Marshall: 'People don’t understand what geniuses The Bee Gees were'

Owen Richards

Frank Marshall might not be the biggest household name, but his footprint on Hollywood is unrivalled. He has produced hits ranging from Indiana Jones and Back to the Future to Jason Bourne and Jurassic World. He also takes occasional forays into directing, such as the madcap Arachnophobia and cannibalistic rugby tale Alive.

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Filmmaker Bassam Tariq: 'Great cinema doesn't need to be perfect - embrace the imperfections'

Owen Richards

After Bassam Tariq's feature debut These Birds Walk was released at SXSW 2013, things seemed to slow down. The documentary about a runaway boy in Pakistan garnered strong reviews, but soon Tariq was working in a New York butchers pondering his career.

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'I loved being a dresser': Sir Ronald Harwood, Oscar-winning writer, dies at 85

Jasper Rees

Ronald Harwood, who has died at the age of 85, was best known for his play about tending to the needs of the larger-than-life actor-manager Donald Wolfit.

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Directors Ian Bonhôte and Peter Ettedgui: 'The disability community is the world community'

Owen Richards

In 2018, directors Ian Bonhôte and Peter Ettedgui burst onto the documentary scene with McQueen, a visually stunning study of British fashion designer Alexander McQueen. Acclaim and offers followed, but no-one could have predicted the subject of their second feature.

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Director Marjane Satrapi: ‘The real question is do you like everyone? No? So, why should everyone like you?’

Jill Chuah Masters

Marjane Satrapi, the Iranian-born French filmmaker, has a reputation that precedes her. Her upbringing was the subject of the acclaimed films Persepolis (2007) and Chicken With Plums (2011). Persepolis won the Cannes Jury Prize, two César awards and was nominated for an Oscar. Satrapi adapted and co-directed both films.

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