dance
RIP dancer and photographer Colin Jones - obituaryFriday, 01 October 2021
In the ballet world, Colin Jones, who died on 22 September aged 85, was famous for being married, for a while, to the great Royal Ballet ballerina Lynn Seymour, during his brief career as a dancer with the company. In the wider world, however, Jones was renowned as a photographer of unusual empathy and social conscience, as well as a striking eye. A Sunday Times critic once described him as "the George Orwell of photojournalism". Read more... |
theartsdesk Q&A: choreographer Christopher ScottSaturday, 26 June 2021
Having won recognition for his streetdance routines on American TV’s So You Think You Can Dance, choreographer Christopher Scott was asked to help bring Lin-Manuel Miranda’s pre-Hamilton stage hit to the big screen. In The Heights was shot entirely on location on the streets of Washingt Read more... |
'She was revolutionary': Tanztheater Wuppertal's new director on the legacy of Pina BauschMonday, 10 February 2020
Ten years on from the death of its founder-choreographer, the Pina Bausch company finds itself at a crossroads, unwilling to limit itself to endless revivals of hits such as Café Muller or Rite of Spring, yet equally unwilling to relinquish the back catalogue altogether. Read more... |
'I wrote a letter to Björk in Icelandic and it did the trick': Helgi Tomasson on an intervention that saved a balletTuesday, 28 May 2019
Visits from major foreign ballet companies are always news, but a two-week London season by one of America’s “big three” is something to get excited about. San Francisco Ballet doesn’t rest on its laurels. Read more... |
'It’s more fun to dance in a tutu': Tory Dobrin of Les Ballets Trockadero de Monte CarloWednesday, 12 September 2018
Forty years on from its beginnings as part of New York's gay lib movement, Les Ballets Trockadero de Monte Carlo is playing to a global, largely straight audience. As the company launches a major UK tour, starting this week at the Peacock Theatre in London, its director of 28 years analyses its longevity. Read more... |
Koen Kessels: 'there's a joke in ballet we only have two tempi' - interviewWednesday, 31 May 2017
Koen Kessels is on a mission to change the culture around music in ballet. Anyone who has heard the Belgian conduct will know that he is the right person for the job: Kessels makes the classic scores come alive in the pit like nobody else I’ve heard. Read more... |
Brighton Festival 2017: 12 Free EventsThursday, 06 April 2017
The Brighton Festival, which takes place every May, is renowned for its plethora of free events. The 2017 Festival is curated by Guest Director Kate Tempest, the poet, writer and performer, alongside Festival CEO Andrew Comben who’s been the event's overall manager since 2008 (also overseeing the Brighton Dome venues all year round). This year the Festival’s theme is “Everyday Epic”. Read more... |
10 Questions for Choreographer Charles LinehanWednesday, 06 April 2016
Charles Linehan is an acclaimed British choreographer, whose company has performed all over the world, from DanSpace New York to Brussels’ Kaai Theatre to the Venice Biennale. Born in Cyprus and raised in Kent, he studied at the Rambert School of Ballet and Contemporary Dance, prior to honing his craft as a dancer with various European companies. Read more... |
10 Questions for Choreographer Matthew BourneMonday, 29 February 2016
Choreographers are not generally household names, but Matthew Bourne must come close. Not only does his company tour frequently and widely, with a Christmas run at Sadler’s Wells that many families regard as an essential fixture of their seasonal celebrations, his pieces have also been seen on Sky, on the BBC, and on film, most famously when his Swan Lake featured at the end of the 2000 movie Billy Elliot. Read more... |
An Open Book: Michael HullsSaturday, 05 September 2015
The occupation “lighting designer” is too workaday to describe Michael Hulls. The artistry with which he casts illumination or shadow on some of the great dancers of our time make the idea of switches and bulb wattage seem humdrum. Pellucid, occluded, darkling - this is Hulls’ palette of twilight effects. Too often, he says, people do not understand the difference between seeing the dancer and seeing the dance. Read more... |
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