thu 23/05/2019

dance

'It’s more fun to dance in a tutu': Tory Dobrin of Les Ballets Trockadero de Monte Carlo

Jenny Gilbert

Forty years on from its beginnings as part of New York's gay lib movement, Les Ballets Trockadero de Monte Carlo is playing to a global, largely straight audience. As the company launches a major UK tour, starting this week at the Peacock Theatre in London, its director of 28 years analyses its longevity.

Read more...

Koen Kessels: 'there's a joke in ballet we only have two tempi' - interview

Hanna Weibye

Koen Kessels is on a mission to change the culture around music in ballet. Anyone who has heard the Belgian conduct will know that he is the right person for the job: Kessels makes the classic scores come alive in the pit like nobody else I’ve heard.

Read more...

Brighton Festival 2017: 12 Free Events

Thomas H Green

The Brighton Festival, which takes place every May, is renowned for its plethora of free events. The 2017 Festival is curated by Guest Director Kate Tempest, the poet, writer and performer, alongside Festival CEO Andrew Comben who’s been the event's overall manager since 2008 (also overseeing the Brighton Dome venues all year round). This year the Festival’s theme is “Everyday Epic”.

Read more...

10 Questions for Choreographer Charles Linehan

Thomas H Green

Charles Linehan is an acclaimed British choreographer, whose company has performed all over the world, from DanSpace New York to Brussels’ Kaai Theatre to the Venice Biennale. Born in Cyprus and raised in Kent, he studied at the Rambert School of Ballet and Contemporary Dance, prior to honing his craft as a dancer with various European companies.

Read more...

10 Questions for Choreographer Matthew Bourne

Hanna Weibye

Choreographers are not generally household names, but Matthew Bourne must come close. Not only does his company tour frequently and widely, with a Christmas run at Sadler’s Wells that many families regard as an essential fixture of their seasonal celebrations, his pieces have also been seen on Sky, on the BBC, and on film, most famously when his Swan Lake featured at the end of the 2000 movie Billy Elliot.

Read more...

An Open Book: Michael Hulls

ismene Brown

The occupation “lighting designer” is too workaday to describe Michael Hulls. The artistry with which he casts illumination or shadow on some of the great dancers of our time make the idea of switches and bulb wattage seem humdrum. Pellucid, occluded, darkling - this is Hulls’ palette of twilight effects. Too often, he says, people do not understand the difference between seeing the dancer and seeing the dance.

Read more...

theartsdesk Q&A: Choreographer Stephen Mear

Marianka Swain

From Singin’ in the Rain and Anything Goes to Hello, Dolly! and Mary Poppins, Olivier Award winner Stephen Mear has done more than any other British choreographer to usher classic musicals into the modern era. But adept as he is at razzle-dazzling ’em, there’s more to Mear, as recent excursions like City of Angels at Donmar Warehouse and Die Fledermaus for the Metropolitan Opera prove.

Read more...

theartsdesk Q&A: Choreographer Akram Khan

Hanna Weibye

Akram Khan is unexpectedly softly-spoken.

Read more...

theartsdesk Q&A: Choreographer Wayne McGregor

Hanna Weibye

How do you know Wayne McGregor? Dance-goers with long memories might remember Wayne McGregor as the wunderkind who founded his own company and became resident choreographer at The Place aged just 22.

Read more...

10 Questions for Choreographer Wim Vandekeybus

Thomas H Green

Wim Vandekeybus (b. 1963) is the man behind Ultima Vez, a theatrical-choreographic powerhouse in Brussels. With his guidance they have sped to the forefront of European multi-media performance with such works as Monkey Sandwich, Oedipus/Bêt Noir, NieuwZwart and Booty Looting, each combining music, dance, visual arts and theatre in different ratios to startling effect.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Rokia Traoré: Dream Mandé: Djata, Brighton Festival 2019 rev...

Rokia Traoré’s passage through this year’s Brighton Festival has been central, binding it to her Malian identity in a series of gigs....

Igor Levit, Wigmore Hall review – full-spectrum Bach from a...

You seldom hear a Champions League-level roar of approval at the Wigmore Hall. Last night, though, Igor Levit drew a throaty collective bark of...

Cannes 2019: Once Upon a Time... In Hollywood review - sun-s...

Moments before Quentin Tarantino’s blistering, outrageous work screened at...

The Lehman Trilogy, Piccadilly Theatre review - stunning chr...

Mammon and Yahweh are the presiding deities over an epic...

Manga, British Museum review - stories for outsiders

Manga, the Japanese art of the graphic novel, took its modern form...

CD: Morrissey - California Son

Unfortunately, it’s now reached the point where it’s impossible to mention Morrissey without...

Summer of Rockets, BBC Two review - pride and prejudice in 1...

Hallelujah! At last the BBC have commissioned a Stephen Poliakoff...

Superhoe, Brighton Festival 2019 review - a darkly vital one...

Tonight comes with a caveat, delivered before proceedings begin by the one-...