tue 16/07/2019

Hanna Weibye

Hanna Weibye's picture
Bio
Hanna trained as a historian at the University of Cambridge and wrote a PhD thesis on Friedrich Ludwig Jahn, the inventor of "German gymnastics". As well as regularly reviewing dance in London, she has produced, choreographed for and danced in ballet and contemporary shows in Cambridge.

Articles By Hanna Weibye

The Firebird triple bill, Royal Ballet review - generous programme with Russian flavour

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Shostakovich Trilogy, San Francisco Ballet, Sadler's Wells review - less than the sum of its parts

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Matthew Bourne's Swan Lake, Sadler's Wells - vivid, enchanting

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Swan Lake, Royal Ballet review - beautiful, heartfelt

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Ballet's Dark Knight - Sir Kenneth MacMillan, BBC Four review – hagiography and home videos

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Voices of America, English National Ballet review - a punchy programme of contemporary ballet

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Bernstein triple bill, Royal Ballet review - epic ambitions unfulfilled

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Giselle, Royal Ballet review - beautiful dancing in a production of classic good taste

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Song of the Earth/La Sylphide, English National Ballet review - sincerity and charm in a rewarding double bill

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Sylvia, Royal Ballet review - Ashton rarity makes a delicious evening

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Kenneth MacMillan, Royal Opera House review - a sprite proves merciless

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A Celebration of Sir Kenneth MacMillan, Northern Ballet review - a brave and worthy tribute

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Alice's Adventures in Wonderland, Royal Ballet review - a feast of visual delights

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La Bayadère, Mariinsky Ballet review - a parade of delights

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Contrasts, Mariinsky Ballet review - company shows off range of its powers

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Swan Lake, Mariinsky Ballet review - Xander Parish lacks the spark of wildfire

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"Genius" is a word to be used sparingly, but Django Bates surely is one. “A musical polymath and prodigiously gifted composer” went the citation...

Don Giovanni, Longborough Festival Opera review - Mozart in...

One of the features of the converted barn that forms the theatre at Longborough is a trio of statues that tops the front pediment of the building...

Bob Dylan and Neil Young, BST Hyde Park review - flat-out br...

It was billed as a moment of musical history: two of the great icons of rock'n'roll sharing a double-headline. A dream ticket. Except, of course,...

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How to describe a show that by Robin Ince’s own admission doesn’t have a narrative strand, and for which he has written several pages of notes...

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It’s a rare thing that musicians sound better live than they do on Spotify. But Florence Welch sings a note perfect set – even when jumping up and...

CD: Sabaton – The Great War

It’s been 20 years since Sabaton’s formation in 1999, and the Swedish power...

Gina Apostol: Insurrecto review – a treacherous archipelago...

As in other countries born out of 19th-century uprisings against imperial power, the literary roots of the Philippines run deep. Executed by the...

theartsdesk Q&A: Lia Williams on the challenges of theat...

Lia Williams is not an actor who looks for easy options. Twice she has played two characters in the same production, switching between them for...