thu 20/09/2018

Hanna Weibye

Hanna Weibye's picture
Bio
Hanna trained as a historian at the University of Cambridge and wrote a PhD thesis on Friedrich Ludwig Jahn, the inventor of "German gymnastics". As well as regularly reviewing dance in London, she has produced, choreographed for and danced in ballet and contemporary shows in Cambridge.

Articles By Hanna Weibye

Swan Lake, Royal Ballet review - beautiful, heartfelt

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Ballet's Dark Knight - Sir Kenneth MacMillan, BBC Four review – hagiography and home videos

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Voices of America, English National Ballet review - a punchy programme of contemporary ballet

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Bernstein triple bill, Royal Ballet review - epic ambitions unfulfilled

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Giselle, Royal Ballet review - beautiful dancing in a production of classic good taste

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Song of the Earth/La Sylphide, English National Ballet review - sincerity and charm in a rewarding double bill

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Sylvia, Royal Ballet review - Ashton rarity makes a delicious evening

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Kenneth MacMillan, Royal Opera House review - a sprite proves merciless

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A Celebration of Sir Kenneth MacMillan, Northern Ballet review - a brave and worthy tribute

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Alice's Adventures in Wonderland, Royal Ballet review - a feast of visual delights

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La Bayadère, Mariinsky Ballet review - a parade of delights

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Contrasts, Mariinsky Ballet review - company shows off range of its powers

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Swan Lake, Mariinsky Ballet review - Xander Parish lacks the spark of wildfire

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Don Quixote, Mariinsky Ballet review - gentle charm, impressive principals

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Scottish Ballet, Sadler's Wells review - striking and memorable dance

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Ashton triple bill, Royal Ballet review – fond farewell to Zenaida Yanowsky

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latest in today

Faces Places review - Agnès Varda's enchanted journey

On the eve of her ninth decade, the marvellous ...

James Graham: 'the country of Shakespeare no longer rec...

Thank you. It’s an honour to have been asked to speak here today. Although looking at the h100 List this year, I’ve no idea why I’m presumptuously...

The Outsider, Print Room at the Coronet review - power in re...

As the Syrian conflict enters its final convulsions, renewing memories of how the Sykes-Picot agreement – between an Englishman and a Frenchman –...

Heathers The Musical, Theatre Royal Haymarket review - a sar...

This London premiere of Kevin Murphy and Laurence O’Keefe’s 2010...

CD: Prince - Piano and a Microphone 1983

Knowing a deceased artist's archives are available for re-release is a double-edged sword. Will there be a shoddy flood of any and every old bit...

Agnès Varda: 'You think I'm finished?!' - int...

At a time when the issue over the scarcity of opportunities for female...

David Crosby & Friends, Shepherd’s Bush Empire, review -...

“This, quite possibly, could be a really good night,” declared...

Never Here review - conceptual art may damage your health

Beware the hidden powers of the cellphone. When in...

Isouard's Cendrillon, Bampton Classical Opera review -...

Cinderella as opera in French: of late, the palm has always gone...