wed 11/12/2019

Hanna Weibye

Hanna Weibye's picture
Bio
Hanna trained as a historian at the University of Cambridge and wrote a PhD thesis on Friedrich Ludwig Jahn, the inventor of "German gymnastics". As well as regularly reviewing dance in London, she has produced, choreographed for and danced in ballet and contemporary shows in Cambridge.

Articles By Hanna Weibye

Matthew Bourne's Romeo and Juliet, Sadler's Wells review - heart-stopping drama

Read more...

The Bright Stream, Bolshoi Ballet review - a gem of a comedy

Read more...

Spartacus, Bolshoi Ballet, Royal Opera House review - no other company could pull this off

Read more...

The Firebird triple bill, Royal Ballet review - generous programme with Russian flavour

Read more...

Shostakovich Trilogy, San Francisco Ballet, Sadler's Wells review - less than the sum of its parts

Read more...

Matthew Bourne's Swan Lake, Sadler's Wells - vivid, enchanting

Read more...

Swan Lake, Royal Ballet review - beautiful, heartfelt

Read more...

Ballet's Dark Knight - Sir Kenneth MacMillan, BBC Four review – hagiography and home videos

Read more...

Voices of America, English National Ballet review - a punchy programme of contemporary ballet

Read more...

Bernstein triple bill, Royal Ballet review - epic ambitions unfulfilled

Read more...

Giselle, Royal Ballet review - beautiful dancing in a production of classic good taste

Read more...

Song of the Earth/La Sylphide, English National Ballet review - sincerity and charm in a rewarding double bill

Read more...

Sylvia, Royal Ballet review - Ashton rarity makes a delicious evening

Read more...

Kenneth MacMillan, Royal Opera House review - a sprite proves merciless

Read more...

A Celebration of Sir Kenneth MacMillan, Northern Ballet review - a brave and worthy tribute

Read more...

Alice's Adventures in Wonderland, Royal Ballet review - a feast of visual delights

Read more...

Pages

latest in today

Mark Lanegan Band, Roundhouse review - rocking reiteration o...

It’s not about spontaneity. Bar switching the order of a couple of songs at the beginning and during the encore, the set was the same as a couple...

The Duchess of Malfi, Almeida Theatre review - a radically o...

This play can be a challenge for modern audiences: a woman...

Traces, Alibi review - pedigree cast battles implausible plo...

Alibi is usually your one-stop shop for re-runs of Father Brown or Death in Paradise, so well done them for commissioning this...

How They Built the Titanic, Channel 5 review - the great lin...

The appalling fate of the allegedly unsinkable liner Titanic in 1912 has fuelled endless feature films and...

CD: Robbie Williams – The Christmas Present

Here’s some Christmas cheer for you –...

Charpentier Christmas settings, Solomon's Knot, St John...

There is no mention of Marc-Antoine Charpentier in David Cairns's comprehensive Berlioz biography. It seems extraordinary that the master of the...

Dido, Maida Vale Studios review - old hits bring unresolved...

She’s back. Dido stopped touring in 2004 and stayed away from it for 15 years. But since starting again in March of this year, she has gone at it...

Radio & Juliet/Faun/McGregor + Mugler, London Coliseum r...

A pas de deux is normally an opportunity for two dancers to express the pinnacle of their skill and...

Les Arts Florissants, Christie, Agnew, Barbican review – spl...

“How many times have you heard the conductor sing?”...