fri 29/03/2024

Hanna Weibye

Hanna Weibye's picture
Bio
Hanna trained as a historian at the University of Cambridge and wrote a PhD thesis on Friedrich Ludwig Jahn, the inventor of "German gymnastics". As well as regularly reviewing dance in London, she has produced, choreographed for and danced in ballet and contemporary shows in Cambridge.

Articles By Hanna Weibye

La Bayadère, Mariinsky Ballet review - a parade of delights

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Contrasts, Mariinsky Ballet review - company shows off range of its powers

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Swan Lake, Mariinsky Ballet review - Xander Parish lacks the spark of wildfire

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Don Quixote, Mariinsky Ballet review - gentle charm, impressive principals

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Scottish Ballet, Sadler's Wells review - striking and memorable dance

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Ashton triple bill, Royal Ballet review – fond farewell to Zenaida Yanowsky

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Koen Kessels: 'there's a joke in ballet we only have two tempi' - interview

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Symphonic Dances, Royal Ballet review - a truly interesting creation

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Mayerling, Royal Ballet review - 'every ballet fan should see this'

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Matthew Bourne's Early Adventures, Sadler's Wells

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Balanchine's Jewels, Royal Ballet

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Pina Bausch's Rite of Spring, English National Ballet, Sadler's Wells

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Crystal Pite, Flight Pattern, Royal Ballet

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FLA.CO.MEN, Israel Galván, Sadler's Wells

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Masurca Fogo, Pina Bausch, Sadler's Wells

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Giselle, English National Ballet, London Coliseum

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Bach's Easter Oratorio, OAE, Whelan, QEH review – the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...