fri 22/06/2018

dance

How Manga Comics Became A Dance

ismene Brown

A new production opens tonight at Sadler's Wells based on the graphic novels of Osamu Tezuka, Japan's master of manga art. Choreographer Sidi Larbi Cherkaoui and composer Nitin Sawhney shared a love of comics as a boy that turned into the more sophisticated admiration for the narrative subtlety and precise visions that the best of comics led to. And to Cherkaoui it seemed a compelling world for theatrical treatment.

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Interview Special: Bolshoi Dancers Natalia Osipova & Ivan Vasiliev

ismene Brown

“What I love about her is her emotion, her true emotion. She’s a ball of energy and emotion all together, quite an amazing thing. From the first time I saw her, I thought I want her to be my girlfriend.” Ivan Vasiliev, the young Bolshoi Ballet superstar, is talking about his girlfriend - though he could also be Romeo talking about Juliet.

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3D Dance looks Skywards with Matthew Bourne's Swan Lake

ismene Brown

Last March’s Japanese earthquakes and tsunami, as we know, brought devastation to hundreds of thousands of Japanese. But it also caused a crisis in the 3D film industry, just as it is attempting to be born. The most important 3D tape stock finishing factory in the world was swept away by the waters.

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What Was it Like...? Ballerina Tamara Rojo on Dancing to 12,000 People

ismene Brown

Last weekend ballerina Tamara Rojo performed to the largest live audience ever to watch the Royal Ballet, at London's O2 Arena. But what was it like facing 12,000 people, and trying with her partner, the Cuban star Carlos Acosta, to tell the intimate story of two young lovers in Kenneth MacMillan's Romeo and Juliet?

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Next Royal Ballet chief is smiling insider Kevin O'Hare

ismene Brown

There were apparently unanimous whoops of joy inside the Royal Ballet this morning, even as brows were wrinkling perplexedly outside, when it was announced that the likeable No 2, administrative director Kevin O’Hare, will succeed director Dame Monica Mason next year. The smiling insider is to head a team involving two of the world’s leading choreographers, Christopher Wheeldon and Wayne McGregor, which holds out the promise of a gold-plated twin-track creative approach uniting both...

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Ballet's Bad Girl Has a New Sound

Natalie Wheen

Kenneth MacMillan’s dramatic ballet Manon was premiered in 1974 to a chorus of attacks on its tale of a “nasty little diamond-digger”, as one critic had it. Since then the slut who can’t help herself has risen to become one of the most coveted roles in the world for major classical ballerinas (as another critic at the time foresaw), and the ballet is now in the repertoire of some 18 companies around the world.

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theartsdesk in Madrid: Nuevo Flamenco Comes of Age

peter Culshaw Miguel Poveda, one of the nuevo flamenco performers appearing at Sadler's Wells Flamenco Festival

I am far from the first - and in very good company - to worry about the over-commercialisation of flamenco. As far back as in 1922 Manuel de Falla and Federico Garcia Lorca, respectively Spain’s greatest composer and poet of the time, decided to organise a singing competition in Granada in which only singers from the villages were allowed to enter. The polished, preening urban stars of the Café Cantantes were ineligible. My resistance to the genre was partly to do with the Gypsy Kings,...

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theartsdesk's Christmas Presents Guide

theartsdesk

With the lightning speed of online delivery, there is still masses of time to select the best and most enjoyable presents for Christmas, thanks to the taste and wisdom of theartsdesk's pack of writers.

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theartsdesk in Siberia: Cold Comfort Krasnoyarsk

ismene Brown

In England you may joke about having Siberian weather with minus 7 degrees. This is really what Siberian winter looks like - at minus 26 degrees. The river is gushing steam, a hellishly peculiar sight. After travelling for 16 hours and through seven time zones to get to Krasnoyarsk at six in the morning, I am not sure I’m seeing what I’m seeing.

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Design Secrets of Cinderella and The Nutcracker

ismene Brown

The designer of a fairytale ballet is far, far more important than the choreographer. It's those visions that lodge themselves in children's heads, in adults' memories, embedded with the music. And at no time more potently than Christmas when it's time for The Nutcracker and Cinderella.

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