wed 15/08/2018

Comedy Reviews

Reeves & Mortimer, Leicester De Montfort Hall

Veronica Lee

Even if the evening had turned out to be rubbish, there was always going to be a warm welcome for Vic Reeves and Bob Mortimer's return to live performance with 25 Years of Reeves & Mortimer: The Poignant Moments. Aside from the obvious room for nostalgia, Mortimer almost didn't make it; this tour could start only after he had emergency triple bypass surgery last year.

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Dave Gorman, Touring

Veronica Lee

Dave Gorman was probably the first comic to have embraced technology in his stand-up. Albeit, in the early days, it was using 35mm slides, hand-drawn graphs and an overhead projector, but then latterly a computer and the ever-more influential Internet and social media. And so, as is a feature at all his shows, there's a large screen on stage when I see him at the Royal Festival Hall and when he says: “I've put it on a graph” there's a loud cheer of recognition from the audience.

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Eddie Izzard, Palace Theatre

Veronica Lee

Eddie Izzard tells us at the top of a show lasting two-and-a-half hours that he's on the home straight in a mammoth tour taking in 28 countries. He first performed Force Majeure in 2013 and now, in a slightly rebooted form, he parks it in the West End for an extended run as Force Majeure Reloaded.

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Anne Edmonds, Soho Theatre

Veronica Lee

When Anne Edmonds comes on stage I notice a banjo sitting ominously in a corner. She is full of Australian bonhomie and energy, instantly connecting with the audience, and our first impression is that she's a likeable chatterbox, telling anecdotes without punchlines - and she begins with a lengthy one about spewing copiously on a New Year's Day flight in front of her parents some years ago.

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Bill Bailey, Vaudeville Theatre

Veronica Lee

What a trouper Bill Bailey is. Just as he's introducing what is clearly meant to be a showstopper in which he and the audience would create a number in the style of “maestro of melancholia” Moby, his technology lets him down. But no fear, Bailey ad libs for several minutes as he tries to rectify the problem, knocks out an Irish reel on one of the many instruments on stage, and moves on when it's clear that the “Moby song" will have to remain unsung.

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Ed Byrne, Theatre Royal, Winchester

Veronica Lee

The show's title, Outside, Looking In, might suggest we're in for some philosophising from Ed Byrne – but then, after 22 years in the business, the Irish observational comic has earned the right. And indeed, he covers subjects such as feminism, slut-shaming and gender imbalance, but in the mix there is also some material about the perils of dating and a graphic description of food poisoning.

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Harry Enfield and Paul Whitehouse, Eventim Apollo

Jasper Rees

Loadsamoney stomps on clutching a wad of twenties. He hasn’t been seen since the Eighties, he advises, because he became irrelevant. In the strict sense Harry Enfield and Paul Whitehouse have never been relevant. Relevant comedy has a habit of becoming irrelevant, which is why their Legends! tour is such a treat for audiences over a certain age.

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Dawn French, Vaudeville Theatre

Jasper Rees

When is a comedian not funny? Dawn French has spent so much of her life making audiences laugh that her debut as a one-woman performer requires some recalibration. The next-door smile is as big as ever, and the eagerness to be liked, so the early section – about the thieving march of time – looks and sounds like a stand-up routine that isn’t quite landing. Laughs are thin on the ground.

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Michael McIntyre, O2

Veronica Lee

It may seem strange to begin a review of a comedy gig with a description of the Tube journey home. But it was noticeable that the crowds who left the O2 Arena in London after Michael McIntyre's new show Happy & Glorious weren't talking about it. About the weather, the full train, what they were up to at the weekend, yes; but his show, no.

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Alan Carr, Touring

Veronica Lee

Alan Carr has titled his latest live show Yap, Yap, Yap! Because, he says as the show opens, everyone has too much to say these days, much of it - such as the stuff on Twitter - not worth listening to. Coming from the host of Channel 4 chatshow Chatty Man, that's comically rich. But such is Carr's genuine likeability that the audience overlook that and settle in to enjoy the evening.

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