wed 08/10/2025

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'We are bowled over!' Thank you for your messages... ...
R:Evolution, English National Ballet, Sadler's Wells re...

As the new season opens, confidence is high at ENB, just as it...

Trio da Kali, Milton Court review - Mali masters make the an...

Trio da Kali are griots, and their traditional role in...

Giustino, Linbury Theatre review - a stylish account of a sl...

It’s a good year to be Handel-lover. No sooner have summer runs of Rodelinda (Garsington) and Saul (Glyndebourne) finished than...

Hollie Cook's 'Shy Girl' isn't heavyweig...

Hollie Cook was in the final line-up of post-punk groundbreakers The...

theartsdesk Q&A: musician Warren Ellis recalls how jungl...

Warren Ellis is Nick Cave’s wild-maned Bad Seeds right-hand man and The Dirty Three’s frenzied violinist. Justin Kurzel’s Australian film subjects...

theartsdesk Q&A: Idris Elba on playing a US President fa...

Idris Elba has only just appeared as the British Prime Minister in the action comedy Heads of State (2025) – now he's...

Echo Vocal Ensemble, Latto, Union Chapel review - eclectic c...

Echo Vocal Ensemble have their genesis in Genesis. Sarah Latto’s group were initially formed by a cohort of the Genesis Sixteen young artists’...

Susanna, Opera North review - hybrid staging of a Handel ora...

Turning Handel oratorio into opera can be a rewarding enterprise. Charles Edwards’ presentation of Joshua, over 15 years ago, for...