Classical Reviews
Currie, Jordan, NCO, Stoller Hall, Manchester review - major marimba musicSaturday, 18 January 2020
Finding one piece for marimba soloist and string orchestra would tax the powers of many concert planners, never mind coming up with two, so the Northern Chamber Orchestra is to be congratulated on its first Manchester performance of 2020 – especially since they found two concerto-style works from almost the same point in ... Read more... |
Watkins, Clayton, Philharmonia, Salonen, RFH review - a rainbow cornucopiaFriday, 17 January 2020
Horns fanfared, coasted and chorused through yet another Philharmonia winner of a concert to match the impressive planning of its Weimar season last year and no doubt a plan close to the heart of principal conductor Esa-Pekka Salonen, who started his musical life as a horn-player. Read more... |
Elisabeth Leonskaja, Wigmore Hall review - pure musical essenceWednesday, 15 January 2020
"What is it about Mozart?" asked Sviatoslav Richter in 1982. "Is there a pianist alive who really manages to play him well?...Haydn is infinitely less difficult to play (he's almost easy, in fact). Read more... |
Röschmann, LSO, Rattle, Symphony Hall, Birmingham review - passion with precisionWednesday, 15 January 2020
Alongside the heartfelt tenderness, there is an emotional weight - as well as a compositional sophistication - prevalent in Alban Berg’s Seven Early Songs. Perhaps this correctly discloses the word "early" as pertaining to the composer’s journey as an artist, as opposed to his lived years. Read more... |
Gautier Capuçon, Yuja Wang, Barbican review - spellbinding moments in circumscribed programmeTuesday, 14 January 2020
Why go to hear a cello-and-piano recital in a large hall, and a rather unsatisfying programme (delayed without explanation for 15 minutes, incidentally) spotlighting a transcription of a work which was created for the violin? Read more... |
Kanneh-Mason, LMP, Martín, Fairfield Halls review – modest mastery on showTuesday, 14 January 2020
The soap-opera saga of the House of Windsor may not have been what the executive director of the London Mozart Players had in mind when she announced from the stage that Sheku Kanneh-Mason “is completely relevant for us”. Read more... |
Bowers-Broadbent, Theatre of Voices, Kings Place - grit needed in the oysterMonday, 13 January 2020
Not everyone who flocked to Day Two's evening concert in Kings Place's year-long Nature Unwrapped: Sounds of Life celebrations will have realised that they were catching parts two and three of a trilogy. Read more... |
Ibragimova, LSO, Stutzmann, Barbican review – grace and gravityFriday, 10 January 2020
Alina Ibragimova’s solo journey (in 2015) through the peaks and abysses of Bach’s Sonatas and Partitas gave me vivid Proms memories to treasure for a lifetime. The Russian-born violinist’s Bach abounds in both majesty and tenderness, as well as a consuming fire of intensity when the music so demands. She brought something of the same quality to her performance last night of Mendelssohn’s E minor concerto at the Barbican. Read more... |
Clarke, Ränzlöv, The Mozartists, Page, Wigmore Hall - young Mozart among the giantsFriday, 10 January 2020
Assuming the world holds together that long, there will be something we can rely on annually all the way to 2041, the 250th anniversary of Mozart's death: among the celebrations each year, a Wigmore Hall concert like this one, placing Amadeus among the other composers of his time, great and small(er). Read more... |
Suzman, London Schools Symphony Orchestra, Edwards, Barbican review - a cabaret from hellThursday, 09 January 2020
The devil wore all manner of outlandish attire in last night's chameleonic programme devised by Peter Ash, the London Schools Symphony Orchestra's challenging artistic director. Read more... |
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