fri 26/09/2025

Classical Reviews

Classical CDs Weekly: Bach, Alison Balsom, Steven Osborne

graham Rickson


Bach: Goldberg Variations Bassoon Consort Frankfurt (MDG)

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Stravinsky: Myths & Rituals, Philharmonia, Salonen, St John’s Smith Square

Bernard Hughes

I had been looking forward to last night's concert since it was first announced over a year ago. For a Stravinsky nut the chance to hear pieces whose live performances are vanishingly rare was not one to be missed. And it turns out there are enough other fans of austere late Stravinsky to sell out St John’s Smith Square, which proved a very suitable venue for this programme.

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CBSO, McGegan, Symphony Hall Birmingham

Richard Bratby

“Our Shakespeare” is the name of the CBSO’s current season. They're making the same point that Ben Elton makes slightly less subtly in Upstart Crow: that Shakespeare was basically a Brummie. And by implication, that four centuries of musical Bardolatory, from Purcell’s The Fairy Queen to Verdi’s Falstaff, is all on some level Made in Birmingham.

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Znaider, LSO, Pappano, Barbican

David Nice

Anger and fear in Elgar, introspection in middle-period Beethoven: these are undervalued qualities in each composer’s music. Yet such moods were vividly present in two hyper-nuanced interpretations last night.

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Classical CDs Weekly: Kenneth Hesketh, Vaughan Williams, Ensemble Pygmalion

graham Rickson


Kenneth Hesketh: horae (pro clara) Clare Hammond (piano) (BIS)

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Cédric Tiberghien, Wigmore Hall

Gavin Dixon

This programme looked like a non-starter on paper, a long sequence of short Bartók dance settings, followed by a second half that was dominated by works for children from Bartók and Kurtág. But it worked, largely thanks to Cédric Tiberghien’s conviction in these short works and his ability to make imposing and decisive statements with a minimum of musical material.

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Prohaska, Eberle and Friends, Wigmore Hall

Sebastian Scotney

A quick plot summary might be required here, because how this programme of Schubert, Pergolesi and Webern came into being was far from obvious. Two young soloists, one a violinist in her late twenties, one a singer in her early thirties, both born in Swabia (part of Bavaria), share the same agent and wanted to do a project together. So they are currently on an eight-date concert tour of five European countries.

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St Ludmila, Hallé, Elder, Bridgewater Hall, Manchester

Robert Beale

The Victorians liked their oratorios long and loud (most of the time), and when Dvořák wrote St Ludmila for the Leeds Festival of 1886 he got the style exactly right. Sir Mark Elder brought his and the Hallé’s celebration of Dvořák to a thunderous close with a performance which deftly abbreviated the score and also unveiled a new English version derived from a working translation of the Czech text by David Pountney.

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Ibragimova, BBCSO, Oramo, Barbican

Gavin Dixon

Sakari Oramo devised a bold programme for the final concert of the BBC Symphony Orchestra season: a new work from a young British composer, a popular but knotty violin concerto and an obscure pacifist oratorio. There were few obvious connections between the works, but all proved satisfying, not least for the excellent playing of the orchestra itself.

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BCMG, Galbreath, Adrian Boult Hall Birmingham

Richard Bratby

So this is the end of the Adrian Boult Hall, due to be demolished in a matter of weeks. And to be honest, all but the most nostalgic of Birmingham concertgoers will find it hard to mourn. It’s no architectural masterpiece – nothing like John Madin’s superb Central Library, one of Britain’s greatest postwar buildings, currently being pulverised next door in an act of civic vandalism that’s been compared to the destruction of the Euston Arch.

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