Classical Reviews
Prom 43: Haefliger, BBCSO & Chorus, Oramo review – the frisson of the newTuesday, 20 August 2019
Time was, not long ago, when the very word “premiere” was enough to ensure a sizeable smattering of red plush holes in the Royal Albert Hall audience. It seemed people did not want to risk attending new works for fear they would sound ghastly. Read more... |
Prom 41: Ghindin, LPO, Jurowski review - perfect sound in a Russian spectacularMonday, 19 August 2019
It was a Disney theme-park of Russian music, and in an entirely good way: none of the usual rides, but plenty of heroes and villains, sad spirits and whistling witches, orientalia from the fringes of empire, pagan processionals and apocalyptic Orthodox chants. Read more... |
Edinburgh International Festival 2019: MacMillan birthday concerts - searing world premiereMonday, 19 August 2019
To celebrate the 60th birthday of Sir James MacMillan, the Edinburgh International Festival has programmed his music over five concerts, including the Nash Ensemble with Fourteen Little Pictures, the National Youth Choir of Scotland with All the Hills and Vales Along, and the Royal Scottish National Orchestra and the Festival Chorus with the cantata ... Read more... |
Prom 40: Hough, OAE, Fischer review - pretty royal thingsSaturday, 17 August 2019
There it gleamed, the pearl in the massive oyster of Albert's colosseum: the gilded, decorated piano supplied to his Queen by Érard in 1856. Pearly in sound it was not, though often harp-like; the programme was of mostly silver works, with a gold scherzo and some wooden songs. Read more... |
Edinburgh International Festival 2019: Lawrence Brownlee, Iain Burnside - enthralling song duoSaturday, 17 August 2019
Performing as part of Edinburgh International Festival’s Queen’s Hall series, American tenor Lawrence Brownlee, with Scottish pianist Iain Burnside, performed collections of songs by Schumann, Liszt, Poulenc and Ginastera. Read more... |
Prom 39: Morison, BBCNOW, Chan review - a night of inspiring firstsFriday, 16 August 2019
A clever programme, a vivid premiere, a Proms debut for an exciting young conductor and the first appearance there by Catriona Morison since she won the 2017 BBC Cardiff Singer of the World: all this provided grist to the mill for a sold-out Prom that was more than the sum of its impressive parts. Read more... |
Prom 37: The Childhood of Christ, Hallé, Pascal/ Prom 38: Bach Cantatas, Solomon's Knot reviews - holy radiance great and smallThursday, 15 August 2019
Berlioz's most intimate oratorio certainly isn't just for Christmas – but, given its scale, is it right for the Proms? Read more... |
Prom 34: Argerich, West-Eastern Divan Orchestra, Barenboim review - erratic star, sleek ensembleTuesday, 13 August 2019
Perhaps those who came for the Argerich touch and left at the interval of this instant-sellout Prom were satisfied. After all, the legendary Argentinian pianist gave us some vintage minutes of her silk-spinning mercurialism. Read more... |
Edinburgh International Festival 2019: Colin Currie Group, BBCSSO, Dausgaard/DiDonato, NYO-USA, PappanoSaturday, 10 August 2019
With Peter Gynt, the National Theatre’s “reboot” of Ibsen’s Peer Gynt, topping the drama bill at the Edinburgh Festival hotfoot from London, it was almost obligatory to find a space somewhere in the music programme for Grieg’s famous incidental music from 1876. But what would you put in the rest of the programme? Read more... |
Prom 30: The Warner Brothers Story, John Wilson Orchestra review – orchestral richesSaturday, 10 August 2019
Wisecracks can be profound. The late André Previn – who spent most of the period from his late teens to his mid-thirties working in film studios – once responded to a critic’s snub that the music of Korngold all sounded like Hollywood with the line: “No, Hollywood music all sounds like Korngold.” Read more... |
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