sun 18/08/2019

Edinburgh Festival

Edinburgh Fringe 2019 review: How Not to Drown

Urgent, fast-paced, seemingly never pausing for breath, How Not to Drown is a real-life boy’s own adventure, an appeal for compassion towards refugees, and an interrogation of nationality and identity. That’s quite a mix for a show of 100 minutes....

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Edinburgh Fringe 2019 review: Arabella Weir - Does My Mum Loom Big In This?

If nothing else, Arabella Weir quips, she can thank her mother for providing the material for her first Fringe show. For Does My Mum Loom Big In This? (see what she did there) is the Fast Show and Two Doors Down actor/comedian’s reflections on...

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Edinburgh International Festival 2019: Lawrence Brownlee, Iain Burnside - enthralling song duo

Performing as part of Edinburgh International Festival’s Queen’s Hall series, American tenor Lawrence Brownlee, with Scottish pianist Iain Burnside, performed collections of songs by Schumann, Liszt, Poulenc and Ginastera. Opening with­ Schumann’s...

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Edinburgh International Festival 2019 review: Total Immediate Collective Imminent Terrestrial Salvation

It’s the end of the world as we know it. At least according to Miles, scientist turned messiah, who lost his son in an accident at a frozen lake, and who experienced visions of an impending apocalypse in his subsequent coma.He’s established a colony...

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Edinburgh International Festival 2019 review: Roots

A fat cat who gobbles up everything in sight. A king who tests his wife’s fidelity with increasingly horrific trials. A man whose flatmate is Poverty. It’s hard to ignore the scathing contemporary resonances in theatre company 1927’s sly, witty new...

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Edinburgh Fringe 2019 reviews: Darren McGarvey AKA Loki: Scotland Today / Scottee: Class

Darren McGarvey AKA Loki: Scotland Today The Stand's New Town Theatre ★★★★★   Darren McGarvey (aka Loki the Scottish Rapper) won the Orwell Prize for political writing in 2018 for his book Poverty Safari, a startling,...

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Edinburgh International Festival 2019: Colin Currie Group, BBCSSO, Dausgaard/DiDonato, NYO-USA, Pappano

With Peter Gynt, the National Theatre’s “reboot” of Ibsen’s Peer Gynt, topping the drama bill at the Edinburgh Festival hotfoot from London, it was almost obligatory to find a space somewhere in the music programme for Grieg’s famous incidental...

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Edinburgh Fringe 2019 reviews: Sea Sick / Vigil / When the Birds Come

Sea Sick CanadaHub ★★★★   She’s not a performer, Alanna Mitchell tells us. She’s a writer and journalist. But what she’s discovered about climate change, and specifically about its effects on the world’s oceans, has...

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Edinburgh Fringe 2019 reviews: Deer Woman / Pathetic Fallacy / Blind Date

Deer Woman CanadaHub ★★★   You can feel the fury emanating from the stage in Tara Beagan’s incendiary solo play. Fury at the thousands of Indigenous Canadian women and girls who have gone missing in recent decades, abducted...

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Edinburgh Fringe 2019 review: Birth

Physical theatre company Theatre Re are virtually Fringe royalty these days, with a several-year history of fine shows under their belts, plus success internationally and at the London Mime Festival. And judging by their assured and richly resonant...

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Edinburgh Fringe 2019 review: Crocodile Fever

Chekhov famously pronounced that if you’re going to bring a gun on stage, you’ve got to use it. Is the same true for a chainsaw? To discover the answer, just head along to Meghan Tyler’s wild, over-the-top, gruesome Crocodile Fever at the...

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Edinburgh International Festival 2019 review: La reprise

Who’d have thought a play about a homophobic hate crime could be so much fun? Well, maybe that’s overstating things a little. But there are certainly lighter moments in La reprise, provocative Swiss-born director Milo Rau’s production with his...

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