thu 24/07/2025

Visual Arts Reviews

Best of 2024: Visual Arts

Sarah Kent

I thought I might never be able to say it’s been a great year for women artists, so forgive me for focusing solely on them.

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Electric Dreams: Art and Technology Before the Internet, Tate Modern review - an exhaustive and exhausting show

Sarah Kent

Last month a portrait of Alan Turing by AI robot AI-Da sold at Sotheby’s for $1.08 million – proof that, in some people’s eyes, artificial intelligence can produce paintings worth as much as those made by human hands.

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ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime

Sarah Kent

Picture this: framing the stage are two pearlescent clouds which, throughout the performance, gently pulsate with flickering light. Behind them on a giant screen is a spinning globe, its seas twinkling like a million stars.

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Vanessa Bell, MK Gallery review - diving into and out of abstraction

Sarah Kent

The Bloomsbury group’s habit of non-binary bed-hopping has frequently attracted more attention than the artworks they produced. But in their Vanessa Bell retrospective, the MK Gallery has steered blissfully clear of salacious tittle tattle. Thankfully, this allows one to focus on Bell’s paintings and designs rather than her complicated domestic life.

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Lygia Clark: The I and the You, Sonia Boyce: An Awkward Relation, Whitechapel Gallery review - breaking boundaries

Sarah Kent

Brazilian artist Lygia Clark is best known for taking her abstract sculptures off the pedestal and inviting people to interact with them. Dozens of constructions named Bichos (Beasts or Critters) (pictured below right) are hinged along the joins to allow you to rearrange the parts in seemingly endless configurations.

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Mike Kelley: Ghost and Spirit, Tate Modern review - adolescent angst indefinitely extended

Sarah Kent

Like an angry teenager rejecting everything his parents stand for, American artist Mike Kelley embraced everything most despised by the art world – from popular culture to crafts, and occultism to catholicism – to create what he ironically called “blue collar minimalism”. “An adolescent,” he declared, “is a dysfunctional adult and art is a dysfunctional reality”.

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Monet and London, Courtauld Gallery review - utterly sublime smog

Sarah Kent

In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond. Setting up his easel on a balcony, he began a series of paintings of the river and the buildings on its banks.

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Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decor

Sarah Kent

Michael Craig-Martin was the most playful and provocative of the conceptual artists. His early sculptures are like visual puns, a play on the laws of nature. On the Table, 1970 (pictured below right), for instance, appears to defy gravity. Four buckets filled with water stand on a table; so far so ordinary. But the table has no legs and is suspended from the ceiling by ropes and pulleys.

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Van Gogh: Poets & Lovers, National Gallery review - passions translated into paint

Sarah Kent

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the National Gallery has devoted to this much loved artist. Focusing mainly on paintings and drawings made in the two years he lived in Provence (1888-1890), it charts the emotional highs and lows of his stay in the Yellow House in Arles, and the times he spent in

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Peter Kennard: Archive of Dissent, Whitechapel Gallery review - photomontages sizzling with rage

Sarah Kent

Peter Kennard: Archive of Dissent at the Whitechapel Gallery includes many of the artists’s most iconic political photomontages.

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