sat 18/08/2018

Visual Arts Features

theartsdesk in New York: On Kawara at the Guggenheim Museum

Markie Robson-Scott

On a snowy day in early spring in New York, the On Kawara – Silence show at the Guggenheim is unlikely to warm you up. His date paintings, postcards, telegrams and other coldly ur-conceptual accountings spiral up those famous white Frank Lloyd Wright stairs, seemingly ad infinitum. But it’s a powerful, hypnotic experience, one that seeps into your subconscious and becomes a meditation on time and space.

Read more...

Brighton Festival: The Locations That Make the Festival

thomas H Green

Andrew Comben, CEO of the Brighton Festival, chooses ten locations that have resonance with the annual event. He talks about their past and future but, most particularly, what will be happening this May

Read more...

theartsdesk in Bilbao: Niki de Saint Phalle at the Guggenheim Museum

Fisun Güner

This is work that wears its heart on its sleeve. That’s what gets you in the end in this big retrospective of the work of Niki de Saint Phalle.

Read more...

theartsdesk in Calais: Simon Faithfull – To the Bottom of the World and Back

Sarah Kent

The sea is the theme uniting Simon Faithfull’s mid-career retrospective. It makes the port of Calais the perfect host for this splendid exhibition and, to put you in the mood, ideally you should make the crossing by boat. Faithfull spent six days going back and forth, back and forth on the P&O ferry between Dover and Calais.

Read more...

theartsdesk in Moscow: Remembering George Costakis

Tom Birchenough

Russia’s national gallery, the Tretyakov, bears the name of its founder Pavel Tretyakov, the 19th-century merchant who bequeathed his huge collection of Russian art to the city of Moscow in 1892. His bust stands proudly overseeing the entrance to the gallery’s old building, a fine, purpose-built example of early Russian 20th-century architecture.

Read more...

PJ Harvey: Recording in Progress, Artangel at Somerset House

mark Kidel

Artangel continues to instigate extraordinary events in extraordinary places. Over the past two decades and more, directors Michael Morris and James Lingwood have helped generate major and ground-breaking work by Rachel Whiteread, Brian Eno, Laurie Anderson, Roni Horn, Jeremy Deller, Steve McQueen, Matthew Barney, Gregor Schneider, Francis Alÿs and many others. It's a long list.

Read more...

Quick! Win tickets for the London Art Fair

Fisun Güner

Whether you’re interested in buying, just looking or attending one of the many talks and events, the London Art Fair is the place to be over the next few days if you’re keen on modern and contemporary British art. 

Read more...

Best of 2014: Art

Fisun Güner

We commemorated the centenary of the start of the First World War and we celebrated the 25th anniversary of the fall of the Berlin Wall. The year also marked a 70th anniversary for the D-Day landings. So it was oddly fitting that the London art calendar was most notable for the invasion of heavyweight Germans; namely, four postwar artists whose sense of the weight of German history is writ large in their work.

Read more...

Sci-Fi Week: Through the eyes of JG Ballard

Fisun Güner

A sci-fi special would be incomplete without the profoundly influential figure of JG Ballard, a writer who, when he began his career in the late Fifties, fully subscribed to the notion that  “sci-fi is the literature of the 20th century.” Unlike the “Hampstead novel,” he once said, “the sci-fi novel plays back the century to itself.”

Read more...

Gallery: Honoré Daumier and Paula Rego - a conversation across time

Fisun Güner

Baudelaire called him a “pictorial Balzac” and said he was the most important man “in the whole of modern art”, while Degas was only a little less effusive, claiming him as one of the three greatest draughtsman of the 19th century, alongside Ingres and Delacroix.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

theartsdesk at the Australian Festival of Chamber Music - st...

North of Brisbane, south of Cairns and a short boat trip from the turquoise waters around the Great Barrier Reef, Townsville is the site of a...

h Club 100 Awards: Video games - pioneers with heart and sou...

Technical innovators, industry role models and champions of inclusivity make up the shortlist of nominees in the...

CD: Ariana Grande - Sweetener

This may be tempting fate, and minutes after publication of this she'll probably be arrested for stabbing a dog or something, but...

Prom 45, Capuçon, Orchestre de la Suisse Romande, Nott - sci...

Who is the greatest British conductor in charge of a major orchestra? It's subjective, but my answer is not what you might expect. Jonathan Nott...

theartsdesk on Vinyl 42: Flaming Lips, Blacklab, Juno Reacto...

Initially, this month’s theartsdesk on Vinyl began with the sentence after this one, but it's so dry readers might drowse off, so...

Jake Shears, Concorde 2, Brighton review - a blitz of glitz

One of the biggest crowd roars of the night comes right at the start when Jake Shears runs onstage. He is wearing a grey top hat, a white tail-...

Disenchantment, Netflix review - Matt Groening show has prom...

It’s an event that only comes around once a generation: a new ...

Edinburgh Fringe 2018 reviews: Rosie Jones/ Marcus Brigstock...

Rosie Jones ★★★

There are two versions of Rosie Jones, she tells us; one nice, one not so nice. And who...