mon 18/08/2025

tv

King Lear, BBC Two review - modernised TV adaptation is a mixed blessing

Adam Sweeting

Some have contended that King Lear is unstageable, and perhaps it’s unfilmable too.

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Hip Hop Evolution, Sky Arts review - foundations of a revolution

Owen Richards

Comprehensively charting hip hop’s rise from the underground to the mainstream is no mean feat, but that’s exactly what Canadian MC Shad aims to do over four hour-long episodes. Originally shown in the US in 2016, and available in full on Netflix, Hip Hop Evolution has finally reached the British box via Sky Arts.

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Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplenty

Marina Vaizey

“Oh say, can you see, by the dawn’s early light” was a vision of the American flag, that star-spangled banner, riding proud from Francis Scott Key’s patriotic poem of 1814 based on an episode in the War of 1812.

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Manchester: The Night of the Bomb, BBC Two review - devastating account of the lottery of terror

Jasper Rees

“I thought she maybe had superpowers to go that high.” Emilia Senior, 12, watched her sister Eve, 15, thrown into the air by the force of the explosion.

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A Very English Scandal, BBC One review - making a drama out of a crisis

Adam Sweeting

There was a time when Hugh Grant was viewed as a thespian one-trick pony, a floppy-haired fop dithering in a state of perpetual romantic confusion. But things have changed. He was excellent in Florence Foster Jenkins, hilariously self-parodic in Paddington 2, and he’s brilliant in A Very English Scandal (BBC One) as smooth, treacherous Liberal leader Jeremy Thorpe.

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The Handmaid's Tale, Series 2, Channel 4 review - it's not getting any better for Offred

Adam Sweeting

Not the least startling element of Bishop Michael Curry’s house-rockin’ sermon at the royal nuptials was his quotation from the old spiritual “There is a balm in Gilead”. Evidently the Bishop was not referring to the endlessly looping nightmare that is The Handmaid’s Tale, where “Gilead” means not balm, but torture, terror, misery and misogyny.

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Innocent, ITV review - David Collins wants his life back

Adam Sweeting

Addressing the baying media on the steps of the courthouse after being acquitted of murdering his wife, for which non-crime he’d spent the last seven years in prison, David Collins (Lee Ingleby) was a bitter and angry man.

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Patrick Melrose, Sky Atlantic review - an olympiad of substance abuse

Adam Sweeting

Edward St Aubyn’s Patrick Melrose novels have been admired for their prose style, scathing wit and pitiless depiction of a rotting aristocracy.

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The Bridge, BBC Two, series 4 review - Scandi saga is darker than ever

Jasper Rees

In the 1990s, which brought us Morse, Fitz and Jane Tennison, an idea took root that all television detectives must be mavericks. They needed to be moody, dysfunctional, addictive, a bit of an unsolved riddle. These British sleuths were all variations on a glum theme but the scriptwriters knew the limits. Make them suffer, but don’t put them through hell.

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The Woman in White, Series Finale, BBC One review - good-looking, but flat

Tom Birchenough

Much has been made of this adaptation of The Woman in White having an especial relevance for our times.

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