thu 26/06/2025

tv

Come Rain Come Shine, ITV1

Jasper Rees David Jason and Alison Steadman: A career–long commitment to keeping it frothy

David Jason’s toby jug of a face has been on the television screen over Christmas since the days when you had to get up and switch between three channels by hand. There was nothing ostensibly seasonal in his latest vehicle. A Yuletide entertainment for our times, Come Rain Come Shine had starring roles for three very contemporary ghosts of Christmas Present - belt-tightening, debt and social implosion. But scratch at the surface and what emerged was a neat inversion of the...

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Strictly Come Dancing: The Final, BBC One

alexandra Coghlan

It’s been a journey, an emotional rollercoaster, since 14 soap stars and sports personalities abandoned reality three months ago, donned a series of spandex and chiffon outfits and embarked upon the most important experience of their lives. They all gave it 110 per cent, took disappointment on the chin and came back fighting, and last night the three finalists battled it out for the ultimate prize – the Strictly Come Dancing 2010 glitterball trophy.

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Festivals Britannia, BBC Four

howard Male An infestation of human beings, temporarily invading a sizeable stretch of southwest England

A startling one in 10 British adults apparently went to a music festival this year. Given that I’m a music journalist and I didn’t, maybe I’m some kind of astronomically unlikely anomaly. I’d like to think so. But those familiar aerial shots of Glastonbury – not just a few fields but a sizeable expanse of Britain’s patchwork-quilt landscape, completely overrun by an infestation of teeming humanity - is enough to make me feel smugly sane to have decided, as usual, to just remain cosily at...

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The Savoy, ITV1

Jasper Rees

Once upon a time, just before Lord Reith began permanent rotation in his place of rest, there was a hideous botchjob of a television genre known as the docusoap. It wasn’t quite documentary and it wasn’t quite soap. It was scriptless drama with “characters” whose “narrative arcs” were tweaked and massaged into what you'd loosely call "stories" in post-production. The docusoap launched the idea that the public will gladly work on television for sweet Fanny Adams. If there’s one thing you can...

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Macbeth, BBC Four

Adam Sweeting

Via the Chichester Festival and acclaimed runs on Broadway and in the West End, director Rupert Goold's Macbeth has made a sizzling transition to television. Set in an anarchic, war-torn Scotland and suffused with imagery of murder, torture and Stalin-style purges, it placed Patrick Stewart's thunderous central performance in a spinning black hole of evil, into which he was remorselessly sucked as the action developed.

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The X Factor 2010: The Final, ITV1

joe Muggs

Last week I suggested that The X Factor's rules may have been manipulated in order to lead to a more entertaining final week. I would like to apologise unreservedly for this suggestion, in the light of the absolute unremitting shower of dismalness that we had to sit through this weekend.

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The Walking Dead: Series Finale, FX

Adam Sweeting

Now that The Walking Dead has been nominated for a Writers Guild of America award for Best New Series, executive producer Frank Darabont and his team must be ruing the fact that series one comprised only six episodes. A 13-part second season will probably air next October, by when its halo of success may have dimmed significantly.

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My Father, the Bomb and Me, BBC Four

Adam Sweeting Jacob Bronowski: Mathematical genius, inspirational TV presenter and strategic bombing expert

It seems like an aeon ago that we had people who dared to make television series with names like Civilisation or The Ascent of Man. The notion of TV as a forum for vigorous intellectual debate and for taking the philosophical measure of human progress has come to seem almost as quaint as the Reithian newsreader being compelled to wear a dinner suit. I don’t think QI really counts, does it?

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Coronation Street 50th Anniversary, ITV1

Veronica Lee

Even as a confirmed fan of the soap, I would be lying if I said I tuned in to Coronation Street for great acting. Fantastic comedy, yes; brilliant writing - certainly. But routinely fine exposition of the dramatic art? Nah, although there are honourable exceptions when the occasion demands.

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Imagine: Bruce Springsteen, Darkness Revisited, BBC One

graeme Thomson

Anyone who has ever spent even a little time in a recording studio will be aware that the process of making an album lies somewhere between “watching paint dry” and “ripping out your own toenails” on the scale of interesting and enjoyable activities. It rarely makes for great television. The first image we saw in last night’s Imagine was of a youthful Bruce Springsteen...

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