sat 16/08/2025

tv

True Stories: Rwanda After Genocide, More4

Jasper Rees

In 1994 half a million Rwandan Tutsis were slaughtered over a period of six weeks. Among them were the four brothers and two sisters of Jean-Pierre Sagahutu. His mother was raped before she too was killed. His father, a doctor, was intercepted on the way to the hospital and, when he was unable to pay a fine at a roadblock, was pulled from his car, hit over the head with a blunt hoe and taken to a ditch where his body was dumped.

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Above Suspicion: Deadly Intent, ITV1

Fisun Güner More sexual tension please! Kelly Reilly (DI Travis) and Ciarán Hinds (DCS Langton) in flaccid first episode of Lynda La Plante thriller

What’s with the two titles? A crime drama so good that they had to name it twice? Or couldn’t anyone in production decide which one to ditch? Why not swap them around, or maybe call it "Prime Suspect", or "Prime Suspect: Deadly Intent", or variations thereof? (OK, perhaps not "Prime Suspect: Above Suspicion", which would kind of cancel the other one out, but you get my drift.) Indeed, Lynda La Plante’s titles are so irritatingly, meaninglessly generic that they’d fit just about any old plot...

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Zen, BBC One

Adam Sweeting

There must be good reasons why the fine crime novels of Michael Dibdin have been absent from screens large and small. They're probably to do with Dibdin's deadpan satirical tone and the anti-heroic nature of his protagonist, the Venetian detective Aurelio Zen. Also, his shrewd observations of the hidden undercurrents of Italian society are almost bound to get lost in screen translation.

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Toast, BBC One

Josh Spero Nigel Slater (Freddie Highmore) displays that Sixties delight, shepherd's pie

All the time I was watching Toast last night, based on Nigel Slater’s memoir of his early years, I was wondering whether it was filmed for the benefit of the audience or of Slater himself. The final scene (no spoiler – we know how this story ends) where the young Slater ran away to join the kitchen at the Savoy was revealing: the head chef who gave him a job was played by Nigel Slater,...

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Year Out/Year In: Television on Demand

Adam Sweeting

“Television is pretty awful at the moment,” said Eileen Atkins the other week. “Is that because I'm getting old?” Age wouldn’t dare to wither Dame Eileen, of course, who has just bounced back in fine sparky fettle in the BBC's remake of Upstairs Downstairs.

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Agatha Christie's Marple: The Secret of Chimneys, ITV1

Veronica Lee

If there’s one thing the British love on television at Christmas time, it’s a period drama, and even better, a period mystery. So what joy when there’s a bit of sleuthing by Agatha Christie's yin to Hercule Poirot’s yang, the eagle-eyed wise old bird Miss Marple, in The Secret of Chimneys.

Miss Marple (Julia McKenzie) is asked by Lady Virginia Revel (Charlotte Salt), the daughter of a dead cousin (what a lot of those the old girl appears to have), to be part of a lavish...

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Upstairs Downstairs, BBC One

Adam Sweeting

Thirty-five years after Rose Buck took what she thought was her final nostalgic stroll through the empty rooms of 165 Eaton Place in Belgravia, where she had served the Bellamy family for four decades, Jean Marsh has brought Rose back home in the BBC’s three-part remake of Upstairs Downstairs. Also aboard for this much-anticipated revival is Eileen Atkins, who was Marsh’s co-creator of the original...

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When Harvey Met Bob, BBC Two

graeme Thomson An Eighties 'Odd Couple': Domhnall Gleeson and Ian Hart as Geldof and Goldsmith

At one point in Joe Dunlop’s Boy's Own adventure-style dramatisation of the events leading up to Live Aid, concert promoter Harvey Goldsmith asked Bob Geldof: “Why are you doing it, that’s the question?” I’ve interviewed Geldof on a number of occasions and there’s no doubting either the sincerity or enduring nature of his commitment to Band Aid. I’m not sure, however, that I or anyone else, and certainly not this film, has ever quite got to the bottom of Goldsmith's question. Why...

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Whistle and I'll Come to You, BBC Two

Fisun Güner

Television has been very good to MR James. The originator of the “antiquarian ghost story” - his plots often hinge on some stumbled-upon medieval relic - his spooky tales are certainly vivid and engaging. Yet he himself professed to never taking them terribly seriously: they were written as “entertainments", to be read out loud to a convivial circle of admiring undergraduates during his years as a Cambridge don.

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Imagine: Ray Davies, Imaginary Man, BBC One

Kieron Tyler

"Compared to the way I feel now", said Ray Davies 50 minutes in, “having a nervous breakdown was a jaunt.” His voice was even, matter of fact. He didn’t look distressed, merely appeared to be stating what he thinks is obvious. Julian Temple’s documentary about The Kinks’s leader and songwriter was packed with such moments – revealing and so open that it was impossible not to be affected by Davies’s low-key passion. This assured portrait was more than the story of a pop star.

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