thu 15/05/2025

tv

Big Fat Gypsy Weddings, Channel 4

Adam Sweeting Bridget the fairy-tale bride, surrounded by her retinue of bridesmaids

News reaches us of discontent within the so-called "travelling community", where not everyone appreciates the portrait of Romany life which has been emerging from Channel 4's hit series. Perhaps they didn't like all that stuff about hairy-knuckled male chauvinism, women being married off as teenagers and kept in the kitchen, and the gypsies' habit of settling disputes by staging punch-ups in car parks.

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Outcasts, BBC One

howard Male

I only needed to see the trailer of this new eight-part science-fiction series for the words “Battlestar” and “Galactica” to spring depressingly to mind: the neutral colourlessness of everything, the characters looking meaningfully into the middle distance, the scrubby Earth-like landscape of Carpathia (rather than its almost anagrammatic Caprica from Battlestar), and the fact that this was another bunch of disenfranchised humans trying to settle on a new planet.

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Reggae Britannia/ Rocksteady: The Roots of Reggae, BBC Four

Adam Sweeting

BBC Four's Britannia series keeps it simple - it tells the story in a straight line, illustrates it with as much archive material as the budget will allow, and interviews as many key protagonists as it can find. If the subject is strong enough, you'll get a good film out of it.

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The 2011 Baftas, BBC One: The Twitter Review

Jasper Rees

@Wossy seems to have been cast as second baddie in #PiratesduCaribbean 4

This intro is entirely about namechecking the films so they can cut away to the US stars who've jetted in from #Tinseltown

Lame string of Little Fockers jokes.

These clips montages always make films look like the complete Shakespeare. Then you go and see them...

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Mad Dogs, Sky 1

Jasper Rees

Yes, the Sky 1 drama department is trying to elbow some room on the national sofa and their policy with Mad Dogs is to cast it to the very hilt. Thus John Simm, Philip Glenister, Max Beesley and Marc Warren, playing four old lags who’ve sort of lost touch over the years, board a plane for Spain, summoned for a nostalgic bunfight by another compadre.

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Panorama: Forgotten Heroes, BBC One

Adam Sweeting Colonel Tim Collins (left) with former soldier Mark Morgan, on the streets of Brighton

A film apparently in support of British servicemen on BBC One? The Daily Mail will never believe this. Whatever, this was a bleak, unsparing investigation of the way veterans of our nation's various pointless and endless wars are dumped back into civilian life with scant regard for their mental health or physical wellbeing.

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Faulks on Fiction, BBC Two/ Birth of the British Novel, BBC Four

Fisun Güner

London’s literary world must be as small as it was in the 18th century. Or at least that’s the impression you get when you watch book programmes on the BBC, for it’s the same old characters that keep cropping up.

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Afghan Cricket Club: Out of the Ashes, BBC Four

Veronica Lee

At first sight, “Afghanistan cricket team” might be labled along with “The kosher guide to cooking pork” or “How to keep your promises, by N Clegg”. But in 2008, Taj Malik, an Afghan player passionate about the game, decided to try to take his national team into the world’s elite level and this film (part of the Storyville strand), by three young film-makers, Tim Albone, Leslie Knott and Lucy Martens, followed their efforts over two years.

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Hawaii Five-O, Sky1/ The Promise, Channel 4

Adam Sweeting

They've remade everything else, so what took them so long to get around to Hawaii Five-0? Maybe the exotic Hawaiian locations of JJ Abrams's Lost helped to trigger flashbacks of Steve McGarrett & co, which would explain why Abrams's henchmen Alex Kurtzman and Roberto Orci are co-producers of the new Five-0.

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Ronald Reagan: American Idol, BBC Four

Josh Spero President Ronald Reagan looking stern - or is this just an act?

Aptly for a programme whose title invokes a show which is all style, no substance, the subject of Ronald Reagan: American Idol is image. What was Reagan really like? How much of his career as a Hollywood star did he carry into office? And why have certain images of Reagan endured? The first question, alas, is the one neither the film nor his biographers nor his family and friends have come close to answering.

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