sun 10/08/2025

tv

The Rattigan Enigma, BBC Four

Adam Sweeting

In a recent article, David Hare complained about “a national festival of reaction” in the arts, exemplified by such supposedly Establishment-leaning works as The King’s Speech and Downton Abbey. His real target was Terence Rattigan, currently being hailed in many quarters as a national theatrical treasure enjoying a renaissance in this centenary year of his birth.

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The Code, BBC Two

Fisun Güner Marcus du Sautoy explains the hidden secrets of The Code, Dan Brown style

Can Marcus du Sautoy do for maths what Brian Cox did for physics? Can he convince us of the beauty of numbers and help us fall in love with pi? It’s a tall order, but not only does Professor du Sautoy have an unstoppable passion for ratios, he’s also a natural communicator, which clearly helps if you’re the Simonyi Professor for the Public Understanding for Science, which he is. And so du Sautoy guided us through some basic mathematical principles which underpin the workings of the universe...

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Imagine: Iraq in Venice, BBC Two

howard Male

For 35 years, contemporary art in Iraq was a no-no unless it was grimly, dully figurative or a gaudy mural glorifying Saddam Hussein. But this year, six Iraqi artists were invited to the most prestigious annual contemporary art event in the world; the Venice Biennale. It may be of little significance that Alan Yentob’s parents came from Iraq, but last night’s Imagine was probably the best of the series so far. Its focus may have been these artists and their art, but its reach was...

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Holiday Hijack, Channel 4

Jasper Rees

Dan, a tall ginger streak of entitlement, had an issue with the hygiene. Channel 4 were about to lift him out of a five-star hotel in the Gambia and send him off to see how the other half lives. “They’re not going to be as clean as us,” he predicted nervously. Dan worried that he might have to survive sans moisturiser and hair gel. He hadn’t been warned about the lack of cutlery. And of loo roll. Nor that you approached each problem with the same manual solution.

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Regional TV: Life Through a Local Lens/ Britain Through a Lens - The Documentary Film Mob, BBC Four

Adam Sweeting

I was once shown around Anglia TV’s studios by the bloke who used to say, "And now, from Norwich - the quiz of the week!” by way of introduction to the immortal Sale of the Century. A tremendous thrill, as you can imagine.

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The Hour, BBC Two

Adam Sweeting

Although it's a period drama set in the dim and shadowy London of 1956, The Hour can’t help reminding us that the more things change, the more inclined they feel to do a brisk U-turn and fly back to hit us in the teeth.

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The Apprentice Series 7: The Final, BBC One

Fisun Güner

Just as we thought we were getting tired of the format, the BBC rang in the changes. It was no longer an apprentice Lord Sugar was after, but a partner in a business that he would invest a quarter of a million in. The candidates – 16 freshly laundered suits kicked us off – did the usual strutting and rustling of peacock feathers (a large...

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The Impressionists: Painting and Revolution, BBC Two

Fisun Güner

Who could argue that television isn’t a great medium for learning about art? In its pared-down, visually literate way it delivers what dull, theory-laden extrapolations often can’t (if only because artists don’t think that way when they make things, and we don’t think that way when we look at things). It can breathe renewed life and vigour into a subject we think we know well, and, as a medium for simplified, pocket-sized information, it can get straight to the heart of a matter. Perfect....

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First Cut: Double Lesson, Channel 4

Josh Spero Phil Davis, wearied, as David de Gale

If I'm being honest, I never saw the charm of Alan Bennett's Talking Heads. Too many quiet disappointments, too much capital-A Acting. They lacked naturalism in presentation and content, whereas Double Lesson, from Channel 4's First Cut series of quirky documentaries and quasi-documentaries, had naturalism to spare last night.

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Torchwood, BBC One

Adam Sweeting

The return of Russell T Davies’s second most famous creation arrives coated with a transatlantic sheen, courtesy of an injection of co-production money from the USA’s Starz cable network (home of Spartacus and Camelot). Happily, this has not obliterated the homegrown roots of the Doctor Who spin-off, since this opener cut fearlessly between portentous action scenes at CIA headquarters and a judicial execution in Kentucky to Cardiff city centre and...

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