tue 12/08/2025

tv

Fake or Fortune?, Episodes 1 & 2, BBC One

Josh Spero

Fake or Fortune? on BBC One, with Fiona Bruce and art dealer and sleuth Philip Mould, ought to have been called CSI: Cork Street for its blend of fine art and forensic science. They were trying to resolve whether a Monet was in fact a Monet, using a 240 million-pixel camera, Monet's own accountbook (which Fiona Bruce ran her ungloved fingers across) and plenty of ominous music. Next up: who killed Marat in David's picture?

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Mildred Pierce, Sky Atlantic

Adam Sweeting

James M. Cain's novel Mildred Pierce is best remembered for Michael Curtiz's entertainingly lurid 1945 movie version, starring Joan Crawford. Featuring William Faulkner among its screenwriters, it played fast and loose with Cain's book, but bashed it into crowd-pleasing shape successfully enough to win Crawford an Oscar.

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Shameless US, More4

Adam Sweeting This Bud's for you: William H Macy as Chicago's own Frank Gallagher

The Americans have form when it comes to creating superior remakes of British TV shows. Life on Mars with Michael Imperioli? You gotta love it. The Office without Ricky Gervais? We are eternally in their debt.

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The Wonder of Weeds, BBC Four/ Afghanistan: War without End?, BBC Two

Adam Sweeting

Continuing BBC Four's trend of creating surprisingly watchable programmes out of dowdy and unpromising ideas, this survey of the plants gardeners love to hate was a mine of information and offered plenty of food for thought. And for that matter, plenty of food, since it appears that wheat has only survived to become one of our top crops because, several thousand years ago, it was genetically beefed up by getting spliced to a weed.

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Secret War, Yesterday

Josh Spero Face of a heroine - or a traitor?

The dramatic music, blue-tinged reconstructions and menacing voiceover all suggested that we should be sceptical of World War Two heroine Vera Atkins. The title of the programme indeed, Secret War: The Spymistress and the French Fiasco, told us how we should feel. We know that she was a brave member of the Special Operations Executive, the British department responsible for secret agents in...

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The Shadow Line, Series Finale, BBC Two

Adam Sweeting

I see there are still a few brave souls trying to peddle the "searing televisual masterpiece" line, often in high-profile BBC publications, but I suspect rather more of us may have been veering towards an ever-healthier scepticism as Hugo Blick's wilfully obtuse noirathon ran around in increasingly demented circles.

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The Choir That Rocks, ITV1

graeme Thomson

Created in 2005 by its director Caroline Redman Lusher, the Rock Choir has become something of a populist phenomenon. It’s a “people’s choir”, which means the songbook leans more towards Robbie Williams than Vaughan Williams. Anyone is welcome to join. There are no auditions and no talent requirements, a fact which will scarcely surprise viewers who last night witnessed the Bristol Rock Choir inflicting a very vocal form of GBH on ABBA's “Waterloo”.

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Luther, Series 2, BBC One

Jasper Rees

A year ago when Luther battered down the door like a wailing banshee in bovver boots on day release, it was all a bit underwhelming. People shrugged and wondered whether Idris Elba was condemned to roam in eternal script limbo. They weren’t at all sure about Ruth Wilson’s parricidal astrosphysicist, all beestung, flame-maned and frog-boxed.

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Camelot, Channel 4

Adam Sweeting Joseph Fiennes as Merlin: Boldly going without Robert Plant's hair

With The Tudors recently departed from BBC Two, the kindly Channel 4 has stepped in to fill the gap with this new cod-mythological romp through a Middle Ages that never existed. Funnily enough, it comes from the same Irish-Canadian production consortium that cooked up The Tudors, and shares similar attitudes to casting, production values and dialogue.

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Angry Boys, BBC Three

Veronica Lee Chris Lilley as Gran with one of her juvenile charges in superhero pyjamas

Chris Lilley may not be a household name, but he is well known to comedy connoisseurs. The Australian's work, which he writes, produces and appears in - in several roles, male and female, adult and teenager - is exceptional, and is by turns funny and challenging, offensive and poignant. You may have seen We Can Be Heroes, about teenage identical twins Daniel and Nathan (played by Lilley), and Summer Heights High, set in a secondary school where the egregious fool Mr G...

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