sat 17/05/2025

tv

Pan Am, BBC Two

Adam Sweeting

This is a very odd series. Even the BBC seem to be wondering what on earth they're supposed to be doing with it, since after the Wednesday night airing of these first two episodes Pan Am is moving to Saturday evening, with a Thursday repeat. 

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Who Do You Think You Are? USA: Steve Buscemi, BBC One

Kieron Tyler

Steve Buscemi says he’s “from the country of Brooklyn”. In the wake of  Boardwalk Empire he could have said the empire of Brooklyn. Although the family history disinterred was genuinely strange, this first entry in the new series of Who Do You Think You Are? USA was no emotional roller coaster, mostly because of Buscemi’s low-key affability.

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Art of America, BBC Four

Fisun Güner

For dull reasons to do with a dodgy digital box and a very old analogue telly, I can’t tune in to BBC Four during live transmissions, so I either catch up on iPlayer, or (lucky me as a journalist) get to see programmes early. But I’m very glad I can get it at all, for when the BBC cuts come to pass and its premier arts channel starts broadcasting archive-only material, as it proposes to do, then I think I might just stop watching telly altogether.

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Fresh Meat, Series 1, Channel 4

Thomas H Green

So Fresh Meat approaches the conclusion of season one and, against my expectations, I’ve become a devoted fan. When it was announced that Peep Show creators Jesse Armstrong and Sam Bain were launching a new sitcom, based around a Manchester student household, it sounded promising; perhaps a postmodern update on The Young Ones was in the offing. Peep Show fans were expecting a riot of sordid humour and cruel jokes of embarrassment. We had those in spades....

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Garrow's Law, Series 3, BBC One

Jasper Rees

Garrow’s Law, which returned last night for a third series, would seem to be entirely about the foreign country that is Georgian England. One of its progenitors is Tony Marchant who, give or take the odd adaptation of Dickens or Dostoevsky, has spent his packed writing life in the modern day. But they don’t seem to make his kind of searing contemporary drama any more, the type that hunts for the root cause of moral failure in individuals and society.

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Art for Heroes: A Culture Show Special, BBC Two

Josh Spero

Coming as it did over this Armistice weekend, when the soldiers who have died for us are foremost in our thoughts, last night's Art for Heroes: A Culture Show Special was a salutary reminder that soldier-victims are not just those who are killed or sustain terrible physical injuries but also those with psychological wounds which can't be stitched together.

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Life's Too Short/ Rev, BBC Two

Veronica Lee

Those of us who regarded The Office as a work of comic genius (not a word I use lightly) will, I'm afraid, take some convincing about Stephen Merchant and Ricky Gervais's latest offering. Keen fans who have followed the duo's every move since that landmark sitcom will feel they know every last trope on display in Life's Too Short, from its mockumentary setting and unPC subject matter to dark comedy and celebrity guest spots.

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Imagine: Simon and Garfunkel - The Harmony Game, BBC One

Kieron Tyler

“It’s very deep, very private and full of love,” said Art Garfunkel of his relationship with Paul Simon. So private that for this examination of their swansong 1970 album Bridge Over Troubled Water the pair were interviewed apart, despite both being credited as executive producers. Whatever the nature of the love, 40-plus years on, bridges weren’t being built.

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The Jury, ITV1

Jasper Rees

Apart from voting, there is only one duty the United Kingdom asks of its residents: if, or less likely when, it comes, to answer the summons to sit and listen to evidence in a criminal court and, with 11 other randomly selected individuals, reach a collective decision about the guilt or innocence of the accused. Trial by jury is rightly held to be one of the more unimpeachable achievements of civilised society.

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Downton Abbey, Series 2 Finale, ITV1

Adam Sweeting

And so the eventful second series surged to a close with a bumper 90-minute edition - or at least it was in a 90-minute slot, generously padded with the commercials battling to scramble aboard the great ship Downton - and we were still left dangling in Mary and Matthew's will-they-won't-they neverland. The show's resemblance to a gargantuan soap which has been telescoped into a handful of Greatest Hits episodes was never greater.

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