sat 17/05/2025

tv

Confessions From the Underground, Channel 4

Kieron Tyler

Although focusing on London’s Tube network, Confessions From the Underground brought up issues that aren’t unique to Britain’s infrastructure. Increasing usage versus declining levels of staff. Employees working against targets while being pushed to cut corners. It could have been the NHS or schools, but last night's documentary about the tube allowed the staff of London Underground to raise their concerns.

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The Fixer, BBC Two

Jasper Rees

It’s not a genre which springs too many surprises. Ever since Sir John Harvey-Jones strode into shot a good 20 years ago, the template was set for the sort-your-life-out documentary. Expert enters, throws up hands in horror, delivers a quantity of home truths, exits. Like the talent contest, it’s a flexi-format, applicable to kitchen cleanliness, child-rearing, the high street and, in the case of The Hotel Inspector, mouldy B&Bs on their uppers.

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Royal Marines: Mission Afghanistan, Channel 5

ASH Smyth

As if by way of riposte to Birdsong’s ever-so-pensive treatment of late, last night’s Royal Marines: Mission Afghanistan brought warfare back to the 21st century with an uncompromising thump. In Episode 1: Deadly Underfoot, Chris Terrill joined Lima Company, 42 Commando, as they took over from their Marine colleagues at Toki base, in the Nad-e Ali district of Helmand.

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Whitechapel, ITV1

Veronica Lee

You may think that Whitechapel's USP would have made a third unlikely after two successful mini-series. The first was about a modern-day copycat killer in Whitechapel who was recreating the 1888 Jack the Ripper murders, while the second was about a modern-day copycat killer who was recreating the Kray twins murders from the 1960s.

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Call the Midwife, BBC One

Adam Sweeting

This adaptation of Jennifer Worth's memoirs about life as a midwife in 1950s east London has been a spectacular and instant hit, though it's difficult to believe its success can be solely due to its graphic scenes of screaming, blood-drenched childbirth. And at 8pm on a Sunday, too.

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How the Brits Rocked America: Go West, BBC Four

Kieron Tyler

Before The Beatles touched down there in 1964, British pop was barely a concern for America. The first in this three-part series took The Beatles arrival as the year zero for British pop’s conquering of America. An entertaining canter through an over-familiar slice of pop history, Go West was enlivened by some top-drawer talking heads including Paul McCartney and Jimmy Page. No Rolling Stones though.

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We'll Take Manhattan, BBC Four

Kieron Tyler

The Beatles’s arrival on US TV screens in February 1964 is usually recognised as the beginning of the British Invasion of America. But this drama, focusing on chippy, upstart photographer David Bailey, his relationship with his chosen model Jean Shrimpton and their first shoot in Manhattan, floated the idea that their US visit in January 1962 was as pivotal as The Fabs’s debut appearance on The Ed Sullivan Show.

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The World Against Apartheid, BBC Four

ASH Smyth

When I opened my e-nvitation to write up last night’s The World Against Apartheid, I was not expecting it to come bedecked with GoogleAds for hen parties, roller discos, and custom-made birthday invitations (keyword: "part/y", one assumes). Only 20 years ago, any mail on this topic would’ve been stuffed with "End racism NOW!" leaflets, discount book offers by/about Basil D’Oliveira, and pop-up Peter Hains beseeching you to boycott your local fruiterers.

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First Love, Sky Arts 1

Jasper Rees

We’ve been this way before. A few years ago the BBC screened a series called Play It Again, in which celebrities had a crack at performing on musical instruments which they had not visited in decades. Sky Arts have revisited the concept with a series called First Love, whose first six programmes went out last year and featured a usual array of celebrity suspects starring in a game of friends reunited, the musical version. 

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Birdsong, BBC One

Adam Sweeting

Abandoned attempts to bring Sebastian Faulks's World War One novel to the movie screen stretch from Soho to Sunset Boulevard. Most of these were prepared and discarded under the auspices of Working Title Films, so perhaps it's fitting that Birdsong has finally been made by the BBC and Working Title's new television division.

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