sun 08/06/2025

tv

House, Series Finale, Sky 1

Emma Dibdin

It seems fitting that the final ever episode of a show that has revelled so gleefully in its main character’s willful refusal to change should pivot on the question of whether, finally, he can. This introspective swansong found our misanthropic medic in by far his direst straits yet – no small feat, when you consider that previous finales have seen him get shot, go clinically insane and, most recently, end up in prison.

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Hitler's Children, BBC Two

Jasper Rees

Did Magda Goebbels do her children a favour by murdering all six of them in the bunker? Her rationale, as reported in the film Downfall, was the impossibility of imagining a life after Hitler for anyone called Goebbels.

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Harlots, Housewives and Heroines, BBC Four

Fiona Sturges

Ooh look, she’s at it again. Fresh from hurling insults at David Starkey (well, he started it) and provoking the ire of historian Alison Light - who presumably didn’t make it through BBC casting - for daring to try on a bonnet on the box and thus “cheapening history”, Dr Lucy Worsley is back on our screens, doing ninja kicks in Puritan dress, trying Restoration gowns for size and shamelessly discussing Samuel Pepys’s “emissions”.

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The Bridge: Series Finale, BBC Four

Kieron Tyler

It ended where it began, between Copenhagen and Malmö along the Öresund bridge. The journey back to square one took in issues of homelessness, mental health, immigration and child labour. Drug abuse, national identity, family break-up and the power of the media cropped up too. But none of these are what The Bridge hinged on.

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Tales of Television Centre, BBC Four

Fiona Sturges

“It’s like Big Ben. It’s like the Houses of Parliament. It’s like St Paul’s,” observed Susan Hampshire, reflecting on the iconic properties of Television Centre, the BBC’s 52-year-old nerve centre. Steady on, Susan, you thought, let’s not overdo it.

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Felicity Kendal's Indian Shakespeare Quest, BBC Two

Veronica Lee

It's a truism of modern television that a programme rarely gets made without a celebrity being attached, but in this case there was a very good reason for Felicity Kendal being on board. Her parents, Laura and Geoffrey Kendal, founded Shakespeareana, a travelling theatre troupe that performed Shakespeare in India in the postwar decades; many will know their story from Merchant Ivory's 1965 film about the company, Shakespeare Wallah.

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Silk, Series Two, BBC One

Adam Sweeting

How delightful to welcome the return of Peter Moffat's skilful legal series.

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56 Up, ITV1

Jasper Rees

For most of us, life is what happens to you when you’re looking the other way. For the participants in 7 Up it’s what happens in seven-year segments between the visits of Michael Apted. First interviewed in 1964, they are all 56 now, and as usual the questions loom. Who is still turning up for these things? Who has thrown in the towel or, as will now become a more urgent issue, has anyone shuffled off their mortal coil?

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Episodes, Series 2, BBC Two

graeme Thomson

There have been some highly unlikely couplings in the long history of television comedy, but the one between Debbie from The Archers and Joey from Friends in the first series of Episodes ranked somewhere near the top of the list. If the viewers struggled to be convinced by that oddly implausible tryst, at least we weren’t alone.

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Street of Dreams, Manchester Arena

philip Radcliffe

Street of dreams? The people who lived in the real-life inspiration and location for Coronation Street, Archie Street in Salford, hand-picked by the soap’s begetter Tony Warren, would be flummoxed and flabbergasted to hear it called that. I walked down Archie Street several times when the TV soap started. The two-up, two down, back-to-back terraced houses, separated by a three-foot alleyway, had no baths, no hot water, no inside lavatories and were dubbed “a disgrace to society”.

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