tv
Misfits, Series 4, E4Monday, 29 October 2012
Is Misfits now a misfit on E4? When it first announced itself three years ago, the series about probationers with sci-fi superpowers straddled the bridge between the WTF generation and the can-do ethos of the comic strip. It was quite a lot of fun, even for those outside the target demographic. As is natural with any series targeted at a youth audience, success breeds the one thing that no cult series wants: staff turnover. Read more...
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Chas & Dave: Last Orders, BBC FourSaturday, 27 October 2012
Chas & Dave’s run of hits up the mid Eighties made them an alternative to the gloss of Wham!, Duran Duran and Culture Club. They had three chart albums in 1983. But was there more to their “rockney” music than a first take suggests? Were they more than a cockney slanted, pie ‘n’ mash Wurzels? This programme, prompted by their 2009 retirement, made a valiant – heroic – attempt to elevate them to the level of the greats. Peter Doherty declared them “just like The Clash, The Smiths, Keats... Read more... |
Brazil with Michael Palin, BBC OneThursday, 25 October 2012
We got to the beach around the 10-minute mark. Or “semi-naked suburbia”, as Michael Palin called it. And started patrolling the sands for rounded Brazilian rumps (female). Apparently only adolescent boys do this sort of thing, and television cameramen. A local scholar explained the terms deployed to describe the various body types. The melon, the guitar, the ... you don’t want to know. Palin certainly didn’t look as if he did. Read more... |
Painting the Queen: A Portrait of Her Majesty, BBC FourWednesday, 24 October 2012
Has there ever been a successful portrait of the Queen? Not a photograph - there are been plenty of those (with its delicious air of ambivalence, Thomas Struth’s portrait of the Queen with Prince Philip stiffly occupying two ends of a sofa at Windsor Castle, is among the best) but a painted portrait. Read more... |
Elementary, Sky LivingWednesday, 24 October 2012
Last year at the National Theatre, Jonny Lee Miller appeared in Frankenstein with Benedict Cumberbatch ("two excellent performances", according to theartsdesk's Sam Marlowe). Maybe something rubbed off, because now here's Miller following in Cumberbatch's footsteps as another 21st-century Sherlock Holmes, in this new series from CBS in the States. Read more... |
You've Been Trumped, BBC TwoTuesday, 23 October 2012
It has never been easier to get sucked into a warm, simplistic sensibility which portrays every rich capitalist businessman as corrupt and amoral, but you spend 90 minutes watching Donald Trump in action and you start to wonder. If Trump didn't exist you suspect Martin Amis would invent him. He would probably call his caricature of a dastardly US business tycoon Donald Shit. Read more... |
Panorama: Jimmy Savile - What The BBC Knew, BBC OneTuesday, 23 October 2012
From 10pm last night to around 11.40, the BBC did what no other broadcaster in the world would have the stomach for. It turned its guns with maximum lethalness on itself. The result was extraordinary television. Read more... |
Girls, Sky AtlanticMonday, 22 October 2012
While it’s not unusual for an imported television show to have been downloaded, discussed and dissected at length long in advance of of its UK transmission date, HBO’s Girls is even harder than most to approach with an open mind. Read more... |
Getting On, Series 3, BBC FourWednesday, 17 October 2012
Getting On exists somewhere on the spectrum between Carry On and Samuel Beckett. Set in a hospital ward where mostly geriatric patients are tended by middle-aged staff all with problems of their own, it looks unflinchingly at the great maladjusted edifice that is the Health Service and all who ail in her. And in Vicki Pepperdine’s tightly coiled consultant Dr Pippa Moore it has perhaps the most delightful sitcom grotesque since Malcolm Tucker first started turning the air blue. Read more... |
Imagine: Freddie Mercury - The Great Pretender, BBC OneWednesday, 17 October 2012
This film, promised Imagine's host Alan Yentob, would be "the nearest we'll get to the real Freddie Mercury, a shy man in search of love and a driven artist living behind the protection of his stage persona". Probably true, but the shyness and the protective persona, coupled with vigorous policing by the Queen organisation, meant that film-maker Rhys Thomas couldn't add a great deal to what's already known about Mercury. Read more... |
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