mon 19/05/2025

tv

Michael Jackson: Bad 25, BBC Two

Adam Sweeting

The latter years of Michael Jackson were a sorry saga of debt, lawsuits and sordid allegations about his private life, with the artist seeming an increasingly desperate and isolated figure. Director Spike Lee aims to salvage Jackson's artistic reputation, and this sprawling two-hours-plus documentary keeps its lenses firmly focused on Jackson's musical and performing gifts.

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The Beach Boys: Doin' it Again, BBC Four

Kieron Tyler

“It’s an expression of our collective souls coming together,” said The Beach Boys’ Mike Love of his band, in this celebration of their 2012 50th anniversary world tour and recent album That’s Why God Made the Radio. Subsequent to the making of Doin' it Again and during the ensuing global jaunt, Love announced he was ditching fellow Beach Boys Alan Jardine, David Marks and Brian Wilson, whom he had been sharing the stage with.

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The Aristocrats: Goodwood, Channel 4

Adam Sweeting

It would be unreasonable to describe Charles Gordon-Lennox, Earl of March and Kinrara and heir apparent of the 10th Duke of Richmond, as one of the idle rich. Certainly his Goodwood estate on the Sussex Downs must be one of the most idyllic in the country, and on the face of it he appears to enjoy the most desirable lifestyle imaginable, hobnobbing with the flat-racing elite and mucking about in vintage racing cars. He does not appear to suffer from a shortage of champagne.

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The Secret Life of Rubbish / The Toilet: An Unspoken History, BBC Four

Tom Birchenough

Is scatophilia on the loose at the BBC? After The Secret Life of Rubbish, billed as "a view of the history of modern Britain - from the back end where the rubbish comes out", creatively programmed with a repeat of The Toilet: An Unspoken History on the same night, you might be forgiven for thinking so. Both reach, so to speak, the parts that most other television documentaries don’t.

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Secret State, Series Finale, C4

Jasper Rees

Was it a fluke that Secret State concluded its business on the day Lord Leveson handed in his homework? Maybe they really are that clever at Channel 4. Where Leveson has investigated the invisible nexus connecting the press, the police and Westminster, Secret State has delivered its verdict on a comparable ratking of vested interests linking government, banks, oil, the military, defence contractors, MI6, old uncle Tom Cobbleigh et al.

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Imagine: How Music Makes Us Feel, BBC One

graeme Thomson

During a previous Imagine about neurologist Oliver Sacks, Alan Yentob listened to Jessye Norman singing Strauss while scanning equipment showed his brain “bathed in blood”. It provided powerful visual evidence that music physically alters our emotions – instantly and dramatically. The job of this latest film was to find out how and why. As composer George Benjamin pointed out, it’s “a mystery that has eluded scholars for thousands of years”.

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The Story of Charlie Is My Darling

Tim Cumming

There’s a shot of the six of them running across a railway line in Belfast, running for their lives, Brian Jones at the rear, "Satisfaction" at the top of the charts, and there he is, the one who set light to the whole thing, between Mick and Keith.

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Give Me The Money, BBC Four

Adam Sweeting

Not the least interesting aspect of Give Us The Money, an examination of the effectiveness of famous pop stars campaigning to end poverty in Africa, was how historical it felt.

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Getting On, Series 3 Finale, BBC Four

Jasper Rees

Somebody has missed a trick in not promoting Getting On to BBC Two. Where The Thick of It earned its spurs on BBC Four before graduating to a larger audience, and Gavin and Stacey made the comparable journey from BBC Three to BBC One, the sitcom set in an NHS hospital has not qualified for a transfer.

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Last Tango in Halifax, BBC One

Mark Sanderson

The title says it all: Bertolucci’s landmark (if boring) French film has its last word changed from Paris to Halifax – where butter is only used for glazing parsnips. The very idea of Derek Jacobi taking Anne Reid up the scullery is enough to put anyone off their food but the two grandes dames of English theatre add class to the bittersweet romance of Sally Wainwright’s dog’s-dinner of a drama.

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