tv | Page 132 | The Arts Desk

tv

Simply Nigella, BBC Two

Matthew Wright Tuesday, 03 November 2015

TV chefs are like the characters in a favourite band, each one with their newsworthy quirk. There’s the matey one, the posh one, the sweary one, the mumsy one, and the light-fingered one. Then there’s Nigella, the kittenish one, best known for licking her fingers with a lingering thoroughness rarely seen on family television. (She was once the Oxford graduate best known as deputy literary editor of The Sunday Times.

The Dresser, BBC Two

Matt Wolf Sunday, 01 November 2015

The prospect of Ian McKellen and Anthony Hopkins acting together for the first time in their storied careers in Richard Eyre's BBC adaptation of The Dresser was one of those mouth-watering propositions to sit alongside DeNiro and Pacino on screen in Heat and the stage reunion of Dames Maggie Smith and Judi Dench in The Breath of Life.

Comment

BalletBoyz at the Roundhouse, BBC Four

Hanna Weibye Saturday, 31 October 2015

What I want to know is: has there been a major upsurge in boys taking contemporary dance classes this year? And if not, why not? With the amount of male dancing in the media these days, the excuse that boys lack dancing role models just won't wash any more.

Girl in a Band: Tales from the Rock'n'Roll Front Line, BBC Four

Lisa-Marie Ferla Saturday, 31 October 2015

For women making music, it’s probably a tough call to decide on what is more tedious: being asked what it’s like being a girl in a band, or being grouped with other female musicians, regardless of genre, for magazine features and documentaries on Women in Rock.

The Face of Britain by Simon Schama, BBC Two

Marina Vaizey Thursday, 29 October 2015

This was the fifth and last in a series of hour-long programmes amounting to a vivid, varied and extraordinarily lively history of Britain. Although ostensibly a history of portraiture, the images have been hooks for Simon Schama, that most ubiquitous historian who bears a rather charming resemblance to Tigger – very bouncy, very chatty, very enthusiastic, a little self-regarding – to subtly engage us in a journey through the political and social landmarks of British history.

Catastrophe, Series 2, Channel 4

Jasper Rees Wednesday, 28 October 2015

There’s a baby boom in sitcom. This week two of last year’s best comedies return for second helpings, each with a child in tow. In Detectorists (BBC Two on Thursday) Andy is out in the field panning for gold with a small sweet addition. But first Catastrophe is back – and the title holds good.

Comment

Jekyll & Hyde, ITV / From Darkness, Series Finale, BBC One

Adam Sweeting Monday, 26 October 2015

It's the age of the prequel, sequel and origin story, and the ingenious Charlie Higson has decided that now is the time to give Robert Louis Stevenson's divided-self myth a superhero-style makeover. Action-packed and a little bit shocking, this supercharged Jekyll & Hyde (****) has the makings of a major hit.

Comment

Psychedelic Britannia, BBC Four

Barney Harsent Saturday, 24 October 2015

As part of BBC4’s continued course of musical regression therapy, we revisited a time of wide-eyed innocence, when ideas were big and pupils even bigger. The Sixties had swung and now they were set to start spinning as people looked to the past for inspiration, and to the future with aspiration.

The Last Kingdom, BBC Two

Adam Sweeting Friday, 23 October 2015

I always like watching Matthew Macfadyen, so I was appalled to see him horribly slain barely 20 minutes into this gutsy new adaptation of Bernard Cornwell's Saxon Stories. Not just slain, but then nailed to a post by the Vikings, who put a flipping great bolt in his mouth and hammered it through the back of his head.

American Horror Story: Hotel, Season 5, FX

Fisun Güner Wednesday, 21 October 2015

A haunted house, a mental asylum, a witch’s coven, a circus freak show. Check, check, check. And check. Is there no horror trope left unturned in American Horror Story? Nope. And that’s precisely the point – familiarity and postmodern camp go a long way to explaining the runaway success of the series.