tv
Crashing, Channel 4Tuesday, 19 January 2016
Created and written by the abundantly talented Phoebe Waller-Bridge, who also stars, Crashing is set among a group of twenty- and thirtysomethings living in a disused hospital in London, which the characters are “protecting” – sort of legalised squatting, where the sanctioned occupants pay a small rent and protect the building from being taken over by, well, squatters. Read more... |
Occupied, Sky ArtsThursday, 14 January 2016
Even the most glazed-eyed Europhile must have begun to notice that the EU's righteous halo is dimming a tiny bit. Against a backdrop of currency chaos and uncontrolled immigration, issues of sovereignty and national self-determination are beginning to loom large. This is the aiming point of this new drama series, created by Norwegian novelist Jo Nesbø, though it comes in at a slightly different angle. Read more... |
The Story of Scottish Art, BBC FourThursday, 14 January 2016
“Finding the Light”, the second episode of this four-part series, took us to the period when Scottish intellectuals led the world in innovative and revolutionary thinking, Edinburgh’s neo-classical architecture in the leafy streets of the New Town made for new standards of civic architecture, and Scottish education could be of the highest quality. Read more... |
Tracey Ullman's Show, BBC OneTuesday, 12 January 2016
Tracey Ullman is, I suspect, virtually unknown to anybody who either wasn’t around in the 1980s or isn’t a student of that decade’s comedy. For those in either camp, she was a very big name in British television before she left the UK to live and work in the United States – where, incidentally, she became part The Simpsons story (its creators worked on one of the shows she did in America). Read more... |
Beowulf: Return to the Shieldlands / Mr Selfridge, Series 4, ITVMonday, 11 January 2016
The miracle of galloping digital technology has become a mixed blessing. We have iPads, space stations and self-parking cars. On the other hand, we also have what might be perfectly good TV programmes made ludicrous by absurd CGI monsters. Read more... |
Spin, More 4Saturday, 09 January 2016
Walter Presents, Channel 4's clever and welcome strand of foreign, subtitled drama for broadcast both on television and online, is already throwing up some interesting titles. It launched with the Cold War-set Deutschland 83, and now second in the series to be given a broadcast run is Spin, first seen on French television in 2012 under the title Les hommes de l'ombre (The Shadow Men). Read more... |
Jericho, ITVFriday, 08 January 2016
Interesting idea – a Western set in the Yorkshire Dales in the 1870s. Jessica Raine, spotted last year as the other Boleyn girl in Wolf Hall and evidently keen to put Call the Midwife as far behind her as possible, stars as Annie Quantain, a schoolmaster's widow forced to leave the family home thanks to a mountain of debts. As the bailiffs cart away the furniture, she's horrified to find herself a penniless vagrant. Read more... |
War and Peace, BBC OneMonday, 04 January 2016
So, Andrew Davies has bitten off the big one. It may have come as a surprise to some that the master of adapting the British classics for television hadn’t read Tolstoy’s classic-to-end-all-classics until the BBC mooted the idea of a new screen version, but this first episode (of six) boded very well all the same. Read more... |
Sherlock: The Abominable Bride, BBC OneSaturday, 02 January 2016
Since Benedict Cumberbatch is now one of the world's most in-demand actors, and his sidekick Martin Freeman isn't doing too badly either, getting them on a set together is like trying to get Simon & Garfunkel to do a reunion. Hence Sherlock fans now have just this one-off New Year special to slake their Cumberlust. Read more... |
Best (and Worst) of 2015: TelevisionThursday, 31 December 2015
It's hard to disagree with Matthew Wright, in his brisk analysis of the shortcomings of British crime drama (see below). He notes how flashes of inspiration are smothered by skimpy budgets and the timidity of commissioning editors. The disastrous anti-climax of London Spy was a classic example. A British Sopranos seems further away than ever. Read more... |
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