wed 14/05/2025

tv

The Secret Agent, BBC One

Adam Sweeting

Based on an abortive real-life attempt to blow up the Royal Observatory in Greenwich in 1894, Joseph Conrad's novel The Secret Agent has sometimes been held up as a harbinger of the kind of terrorist attacks the world has been subjected to by the likes of Baader-Meinhof, Al Qaeda and Isis. Doubtless this was part of the BBC's motivation for making this new three-part dramatisation.

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The Hunter, All4

Matthew Wright

Crime and detective drama often shows us who we think we are. Despite typically baroque plotting, and murder statistics in which the sleepiest of rural settings shades downtown Aleppo, there’s a sense that in how we respond to poisoning, stabbing and strangling, a quintessential national characteristic emerges. Be it Sarah Lund, Hercule Poirot, or any of Ray Winstone’s gravelly felons, television’s criminals and detectives hold a mirror to the soul.  

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The Banker's Guide to the Art Market, BBC Four

Florence Hallett

This programme was not ironic, humorous or in any way lighthearted. I’m fairly sure of that, but worry that perhaps I’ve missed the joke.  A withering take-down or a meaty exposé of the corruption and excess of the extremely wealthy would have served a purpose, but this was neither.

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The Job Interview/My Worst Job, Channel 4

Barney Harsent

First appearances can be deceptive. You should notice them, take heed of them and then park them. This was the advice of Phillipa Darcy who, along with her daughter, Bertie, was interviewing candidates for a job as assistant manager for Whickam House, an estate that doubles as a wedding venue, in Channel 4’s latest fixed-rig embarrassment machine.

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The Secret Life of Children's Books, BBC Four

Marina Vaizey

This emotive, even emotional half-hour programme focussed on a famous children’s book, The Water-Babies: A Fairy Tale for a Land-Baby, and its author, one of those totally astonishing Victorian polymaths, the Reverend Charles Kingsley (1819-1875). It was a surprising example of the ways in which words can change the world.

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19-2, Spike

Mark Sanderson

Canada has been Uncle Sam’s body-double in countless drama productions. Shooting on location is easier and cheaper north of the border. One twinkly city skyline looks very much like another. 19-2 is set in and around car number two as it patrols the clean streets of the 19th district of Montreal. And yes, from the very first moments – “Maybe we should call for back-up?” – it feels like we’ve been here before.

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Brief Encounters, ITV

Jasper Rees

Sex sells. That's the well-upholstered thinking behind Brief Encounters. A disparate group of northern women beat off (sorry) the recession by flogging marital aids at saucy Tupperware parties. Shtupperware, if you will. One of them's dear old Penelope Wilton. Goodness. Cousin Violet's eyebrows would perform a pole vault. 

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Freud: Genius of the Modern World, BBC Four

Marina Vaizey

Recently the television historian Bettany Hughes, bright-eyed, bushy-tailed, energetic, enthusiastic and rather astonished, has tramped across the continents on our behalf, making a clutch of hour-long documentary introductions to the individuals with the most profound influence on human society.

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The Living and the Dead, BBC One

Adam Sweeting

This new series by Ashley Pharoah is dramatically different from his previous efforts in Ashes to Ashes and Life on Mars, though he still likes travelling though time. His method here was to saw off chunks of Far From the Madding Crowd, stir in some shavings from Henry James's The Turn of the Screw, and then, having donned protective clothing, to squirt in a distillation of The Exorcist.

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EU Referendum Results – BBC, ITV, Sky News

Barney Harsent

And so we come to the end of the most spiteful, divisive and downright deceitful political campaign in living memory. And while we’re on the Ds, I’ll have disingenuous too, thanks. The remain camp was captained by a mildly Eurosceptic prime minister, who called the referendum in an attempt to secure an election victory, while Brexit has been spearheaded by a shambolic, and mildly Europhile, thatched homunculus, who simply wants the other guy’s job.

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