fri 04/04/2025

tv

Shetland, Series 8, BBC One review - same place but a different programme

Adam Sweeting

The question they’re all asking is, can Shetland survive the loss of Douglas Henshall as DI Jimmy Perez? After all, it was Henshall’s shrewd and quietly anguished performance which gave the show much of its allure. And now there’s no Mark Bonnar either, who could always be relied on to add a soupçon of angst.

Read more...

Robbie Williams, Netflix review - tormented superstar bares his soul

Adam Sweeting

If you thought being a pop star might be fun, this four-part voyage around the tortured soul of Robbie Williams may convince you otherwise. He has sold 75 million records and historic numbers of concert tickets, scored 13 Number One albums and seven Number One singles in the UK, and has a shed full of gongs including 18 Brit Awards.

Read more...

Fellow Travellers, Paramount+ review - four-decade saga of power, politics and gay love

Adam Sweeting

Derived from the similarly-titled novel by Thomas Mallon and directed by Ron Nyswaner, Fellow Travellers tracks the course of its protagonists through several decades of 20th Century American history. It’s also an account of changing attitudes to homosexuality, and how gay culture emerged from the shadows and went mainstream.

Read more...

The Pigeon Tunnel: Stories from the Life of John le Carré, Apple TV+ review - outstanding, intriguing portrait of David Cornwell

Helen Hawkins

When the Oscar-winning documentary-maker Errol Morris sat David Cornwell down before his Interrotron camera in 2019, the first salvo of the chat came, not from the interviewer, but from his subject: “Who are you?” 

Read more...

Frasier, Paramount+ review - he's back! But should he be?

Adam Sweeting

F. Scott Fitzgerald said there were no second acts in American lives, but here’s Frasier Crane coming back for his third. Frasier first appeared on TV in the third series of Cheers in 1984. After Cheers bit the dust in 1993, Frasier was transported from Boston to Seattle and reborn in his own show, which ran until 2004 and stands as one of the most revered comedies in TV history (alongside, it must be said, Cheers).

Read more...

The Reckoning, BBC One review - Savile saga that doesn't tell the whole story

Helen Hawkins

The problem with star casting is that the viewer can’t escape what it is: a very well known face pretending to be another very well known face. 

Read more...

Boiling Point, BBC One review - chef drama that's simmering nicely

Helen Hawkins

The problem facing any chef series is that its daily dramas are essentially rooted in the same small, sweaty space. It’s like one of the reductions prepared there, all the flavours compressed into an intense spoonful of sauce.

Read more...

The Continental, Prime Video - welcome to the expanding John Wick universe

Adam Sweeting

Now that earnings from the John Wick movie franchise have topped a billion dollars, it’s no surprise that there should be moves afoot to cash in by developing a “John Wick Universe”.

Read more...

Wilderness, Prime Video review - twisty thriller that leaves a nasty aftertaste

Helen Hawkins

Jenna Coleman has had a mostly upbeat acting CV to date, notably playing Clara in Doctor Who and the young Queen in ITV’s Victoria. The mood darkened with her excellent turn as the French-Canadian girlfriend of the mass murderer in The Serpent; now it turns to pitch with Wilderness.

Read more...

Top Boy, Season 5, Netflix review - grime and punishment

Adam Sweeting

And so Ronan Bennett’s Hackney gangster odyssey reaches its conclusion, having made the leap from its Channel 4 origins back in 2011 to become, over its last three series, one of Netflix’s top-rating and most acclaimed shows. And it has managed to do it without diluting or compromising its London roots, despite detours to Jamaica, Spain, Morocco and even Ramsgate.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

MobLand, Paramount+ review - more guns, goons and gangsters...

A year ago Guy Ritchie brought us the Netflix series The Gentlemen, and now here he is on Paramount+ with his latest romp through the...

Ed Atkins, Tate Britain review - hiding behind computer gene...

The best way to experience Ed Atkins’ exhibition at...

The Importance of Being Oscar, Jermyn Street Theatre review...

It’s a greater accolade than a Nobel Prize for Literature – one’s very own adjective. There’s a select few: Shakespearean;...

Album: Pigs Pigs Pigs Pigs Pigs Pigs Pigs - Death Hilarious

Pigsx7 have hardly got a reputation for penning tender and soulful ballads, but Death Hilarious is a particularly aggressive and...

Stiletto, Charing Cross Theatre review - new musical excess

That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of...

Misericordia review - mushroom-gathering and murder in rural...

“Be careful what you wish for, you might get it.” The Aesop-ian maxim roughly applies to Jérémie Pastor (Félix Kysyl) in Alain Guiraudie's...

Owen Wingrave, RNCM, Manchester review - battle of a pacifis...

It’s quite ironic that the Royal Northern College of Music should have invited, as director of this,...

Apex Predator, Hampstead Theatre review - poor writing turns...

Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and worry. Lots of worry. Lots...

Album: Elton John and Brandi Carlile - Who Believes in Angel...

Spring may have sprung, but there’s little in life to truly raise the sprits, so this week’s release of Who Believes in Angels? ...