thu 31/07/2025

tv

The Kemps: All Gold, BBC Two review - bickering with the Ballet boys

Adam Sweeting

This is the follow-up to 2020’s The Kemps: All True, in which rock satirist Rhys Thomas assessed the Spandau Ballet boys as the band reached its 40th anniversary. This time, we rejoin Thomas as he spends a year as a fly on the wall in the chaotic lives of Martin and Gary, culminating in their plans to appear in the BBC’s New Year celebrations as 2024 dawns.

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Murder Is Easy, BBC One review - was this journey really necessary?

Adam Sweeting

Well at least they haven’t changed the identity of the killer this time around, but the BBC’s new version of Agatha Christie’s 1939 novel has been modified in other ways. Screenwriter Siân Ejiwunmi-Le Berre and director Meenu Gaur have opted to move the story into the mid-1950s, introducing themes of racism, class prejudice and capitalist exploitation.

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Mad About the Boy: the Noël Coward Story, BBC Two review - the making of The Master

Adam Sweeting

They called Noël Coward “The Master”, and Barnaby Thompson's 90-minute documentary marking 50 years since his death reminded us why. Though there was nothing here in the way of hitherto unknown revelations, the tale of how a boy who left school at nine and had no musical training yet became one of the world’s most prolific playwrights and composers undoubtedly has something fantastical about it.

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A Ghost Story for Christmas: Lot No 249, BBC Two review - mummy's boy unleashes hell in the halls of academe

Adam Sweeting

Having previously brought us adaptations of M R James’s ghost stories, reviving the BBC tradition inaugurated by Lawrence Gordon Clark in the 1970s, Mark Gatiss has now turned to a short story by Arthur Conan Doyle for his annual Christmas chiller.

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The Heist Before Christmas, Sky Max review - the Santa Claus wars

Adam Sweeting

Not just one, but two Santas in this agreeable seasonal romp. It’s set in small-town Northern Ireland, where single mum Patricia (Laura Donnelly) is struggling to bring up her two young sons, Mikey (Bamber Todd) and Sean (Joshua McLees).

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Blood Coast, Netflix review - mayhem in Marseille

Adam Sweeting

The original title of this French crime drama was Pax Massilia, a reference to the classical roots of its setting in what is now known as Marseille. Dating back to the 6th Century BC, it’s supposedly the oldest city in France. An atmospheric mix of architectural styles, dramatic views, a Mediterranean climate and multiple ethnicities, it makes the perfect stage for this fast-paced and sometimes horrifically violent thriller.

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Vigil, Series 2, BBC One review - DCI Silva swaps a submarine for deadly drones

Adam Sweeting

In its first series in 2021, Vigil delivered a claustrophobic though frequently absurd tale of murder and Russian spies aboard a British nuclear submarine. This time around it’s the RAF under the spotlight, though its name has mysteriously been changed to the British Air Force.

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Kin, BBC One review - in Dublin's not-so-fair city

Adam Sweeting

Folklore tends to depict Dublin as a convivial and picturesque city, with a bar on every corner full of revellers on wild stag weekends, but that’s not what we find in Kin. This is a chilly, menacing Dublin, full of modern but charmless architecture and gripped by organised crime.

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Boat Story, BBC One review - once upon a time in Yorkshire

Adam Sweeting

It was as long ago as January last year that the prolific Williams brothers, Jack and Harry, delivered their absorbing Australian Outback thriller The Tourist. Hitherto, product seemed to have been pouring out of them almost hourly, whether it was Liar, The Missing and Baptiste or The Widow, Rellik and Angela Black.

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The Crown, Season 6, Netflix review - royal epic in a vain search for authenticity

Helen Hawkins

A man is taking his little dog for a late-night walk. This being the opening scene of The Crown’s final season, when the illuminated Eiffel Tower looms up at the end of his street we know exactly where we are, and exactly what the date is. 

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