dance
The Rite of Spring/Petrushka, Fabulous Beast Dance Theatre, Sadler's WellsSunday, 14 April 2013
In String of Rites, Sadler’s Wells has commissioned three works as a tribute to Vaslav Nijinsky’s 1913 Le sacre du printemps. It opened with the Fabulous Beast Dance Theatre’s double bill, The Rite of Spring and Petrushka. Both scores are by Igor Stravinsky, created for the original choreography by Nijinsky and Michel Fokine respectively. Read more... |
Midnight Express, Peter Schaufuss Ballet, London ColiseumThursday, 11 April 2013
Yok is a fine Turkish word meaning “there isn’t any”. You use it for “no”, as in, say - is Midnight Express any good? Yok. Read more... |
Nacho Duato, Mikhailovsky Ballet, London ColiseumTuesday, 09 April 2013
The Mikhailovsky Ballet closed their epic two-week Coliseum season with modern works by their director, Nacho Duato, presumably hoping to display their capabilities at all dance forms. Multiplicity. Forms of Silence and Emptiness is a work in two acts first created for the Weimar Arts Festival in 1999. Read more... |
La Bayadère, The Royal BalletSunday, 07 April 2013
Jane Austen would approve, I think, of the plot of La Bayadère, which is about class and wealth getting in the way of love. She might have difficulty with the setting. It is a grand, exotically located ballet offering us an fantastical India of Rajahs, tiger-hunts and sex-slaves - or rather temple-dancers, whose job is to carry holy water to the needy and put up with the unwanted lust of the High Brahmin. Read more... |
Laurencia, Mikhailovsky Ballet, London ColiseumWednesday, 03 April 2013
It’s not often you go to a ballet to watch a history lesson unfold, but Laurencia, the 1939 Soviet ballet choreographed by Vakhtang Chabukiani, gives us exactly that, and a gripping one under the froth and fun. Read more... |
Don Quixote, Mikhailovsky Ballet, London ColiseumSunday, 31 March 2013
If you want virtuosity, there’s only one place to be in London right now, and that’s watching the Mikhailovsky’s fine production of that demented old warhorse, Don Quixote, with Natalia Osipova and Ivan Vasiliev in the leads. Read more... |
Giselle, Mikhailovsky Ballet, London ColiseumWednesday, 27 March 2013
When the Bolshoi’s wunderkinder, Natalia Osipova and Ivan Vasiliev, suddenly left the company two years ago, the dance world played endless guessing-games as to where they would end up. It was like Claude Rains in Casablanca: round up the usual suspects. Read more... |
Israel Galván/ Farruquito, Flamenco Festival, Sadler's WellsTuesday, 26 March 2013
The annual Sadler’s Wells Flamenco Festival is a hidden treasure-house of brilliance, too quietly sneaking into London in the unappealing limbo between winter and spring, but surely one of the great global gatherings of the dazzling individualists in this mysterious dance form. Read more... |
theartsdesk in Moscow: Sergei Polunin triumphs in MayerlingMonday, 25 March 2013
Quite simply, the performance was one of those rarest of events in the theatre that will be talked about for generations - the Russian premiere of Kenneth MacMillan’s Mayerling, with the former Royal Ballet star Sergei Polunin making his debut as Crown Prince Rudolf. Read more... |
Aladdin, Birmingham Royal Ballet, London ColiseumThursday, 21 March 2013
“Possibly the least ‘deep’ ballet I’ve ever made” - these are the words that David Bintley uses to describe his latest full-length work Aladdin, and they make rather a discouraging start to any evening. "Light" isn’t necessarily bad – work created in such a manner can often end up communicating something deeper come their unveiling. Read more... |
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