dance
Giselle, English National Ballet, Coliseum review - if you go down to the woods today, beware of the WilisTuesday, 16 January 2024
We’re used to the idea of 19th century ballets being updated, but the Giselle currently presented by English National Ballet takes it the other way. Read more... |
Best of 2023: DanceTuesday, 02 January 2024
Dance lovers have had a better time of it this year as the performance sector starts to find its feet again. In the wake of a general cull of independent dance companies, 2023 has seen signs of fresh growth. Read more... |
Edward Scissorhands, Sadler's Wells review - a true Christmas treat, witty and beguilingTuesday, 19 December 2023
The story of Edward Scissorhands may not seem an obvious Christmas subject, but it couldn’t be a more overt call for goodwill to all men. And there’s a hint of The Nutcracker about Matthew Bourne’s dance version, too. Read more... |
Nutcracker, Tuff Nutt Jazz Club, Royal Festival Hall review - a fresh, compelling, adult take on a festive favouriteWednesday, 13 December 2023
Intimacy isn’t everything, but there’s nothing like seeing dance live and up close. A good seat in a large theatre will give you the whole stage picture but lose the detail. Lost too will be that quasi-visceral connection with the movement. Read more... |
The Dante Project, Royal Ballet review - brave but flawed take on the Divine Comedy returnsMonday, 27 November 2023
Singular in its variousness, this is a three-act ballet that need some unpicking. No wonder those hooked on first acquaintance in 2021, like theartsdesk’s dance critic Jenny Gilbert, have been back to see it more than once. Read more... |
The Limit, Linbury Theatre review - a dance-theatre romcom that lacks both rom and comTuesday, 31 October 2023
Imagine a world in which speech has a daily legal limit. Not a limit on what you say, but how many words it takes to say it. Now imagine how such a scenario might work as dance. Read more... |
Anemoi / The Cellist, Royal Ballet review - a feast of music in a neat double billWednesday, 25 October 2023
Double bills at the ballet don’t often come as neatly gift-wrapped. Each of the works in question was made just before or during lockdown, arriving at its premiere by the skin of its teeth. Each went on to win a Critics’ Circle National Dance Award for best choreography. Read more... |
Song of Songs, Pam Tanowitz/David Lang, Barbican Theatre review - sublime music and intricate dance bring life to a 2,000-year-old love poemMonday, 16 October 2023
On the whole the Bible is not big on sex and sensuality, with the exception of one very short book in the Old Testament. The Song of Solomon – aka Song of Songs – is a hymn to carnal pleasure, one whose vivid descriptions of perfect flesh and brimming wine flagons have divided religious scholars for centuries. Read more... |
Don Quixote, Royal Ballet review - crazy Russian-Spanish romcom, brilliant dancingFriday, 06 October 2023
It was Carlos Acosta’s new production of Don Quixote that launched the Royal Ballet season in the autumn of 2013, and as it does so again 10 years on, its sunny dynamism is just what the doctor ordered. Read more... |
Ballet Nights, Lanterns Studio Theatre review - dance gets its own cabaret seasonWednesday, 04 October 2023
The variety show format is hardly new to concert programming. In the early 1900s it was the norm. Go to hear a Beethoven piano sonata or the latest piece by Claude Debussy and you could expect it to be followed by a novelty item on the fiddle, a vocal rendition of “Sally in our Alley” or a ventriloquist. By comparison Ballet Nights – an enterprise headed by impresario-compere Jamiel Devernay-Laurence – is playing safe by focusing on dance. Read more... |
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