Visual Arts Reviews
Ben Nicholson: From the Studio, Pallant House Gallery, Chichester review - domestic blissWednesday, 14 July 2021
The domestic realm has moved to the forefront of our lives in recent times. It’s been doing service as our place of work and our place of entertainment. Eating in has replaced eating out. Our hopes and dreams have been largely limited to what’s attainable within our four walls. Read more...
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Afterness, Orford Ness review - a breath of fresh air, literallyMonday, 28 June 2021
The boat ride lasts only a few minutes, but it takes you to another world. Orford Ness is an island of salt marsh and shingle banks off the Suffolk coast inhabited by birds, rabbits, hares and a few small deer. Read more... |
Pre-Raphaelites: Drawings & Watercolours, Ashmolean Museum review - a rich arrayMonday, 14 June 2021
Drawing is the cornerstone of artistic practice, but is often overshadowed by "higher" forms of visual art, such as painting and sculpture. When we walk into an art gallery, we find ourselves gravitating towards the large, impressive oil paintings. They are considered the "main event", the best representation of art and its history – but is this really the case? Read more... |
Dark Days, Luminous Nights, Manchester Collective, The White Hotel, Salford review - a sense of HadesTuesday, 08 June 2021
Did you wonder what all those creative musicians and artists did when they couldn’t perform in public last winter? Some of them started making films. Read more... |
The Making of Rodin, Tate Modern review - surrealist tendenciesSaturday, 05 June 2021
Undoubtedly the strangest thing in this exhibition dedicated to Rodin’s works in plaster is a rendition of Balzac’s dressing gown, visibly hollow, but filled out nevertheless by the ghostly contours of an ample male form. Read more... |
Matthew Barney: Redoubt, Hayward Gallery review - the wild west revisitedFriday, 28 May 2021
The focal point of Matthew Barney’s Hayward exhibition is Redoubt, a two-and-a-quarter-hour film projected on a giant screen that invites you to immerse yourself in the rugged terrain of the Sawtooth Mountains in Idaho... Read more... |
David Hockney / Michael Armitage, Royal Academy review - painting with an iPad vs brushes and paintSaturday, 22 May 2021
David Hockney has a new toy, an app designed specially for him that allows him to work on an iPad with fine brushes. He spent the first five months of lockdown In Normandy making daily records of the coming of spring; the results are displayed in a large show at the Royal Academy (★★). Read more... |
Eileen Agar, Whitechapel Gallery review - a free spirit to the endThursday, 20 May 2021
Eileen Agar was the only woman included in the International Surrealist Exhibition of 1936, which introduced London to artists like Salvador Dali and Max Ernst. The Surrealists were exploring the creative potential of chance, chaos and the irrational which they saw as the feminine principle, yet they didn’t welcome women artists into their group. Read more... |
Turner's Modern World, Tate Britain review - the universal artistThursday, 13 May 2021
When Turner’s Modern World opened at Tate Britain last autumn only to close again days later, we might have felt then an echo of sensations and sentiments powerfully expressed in the exhibition itself. Read more... |
Points of Departure, Brighton Festival 2021 review - Ray Lee's harbour-based sound art impressesFriday, 07 May 2021
They stand in a row, nine of them, in a long, strange corridor between rows of stacked, palleted, planked wood and the red brick wall of an endless warehouse. Nine tripods, each two humans high, with a spinning helicopter head, double-ended by conical horns that emanate a gentle angelic howling or lower end drone-hums. Read more... |
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