Edward Weston, Chris Beetles Gallery | reviews, news & interviews
Edward Weston, Chris Beetles Gallery
Edward Weston, Chris Beetles Gallery
Perfectionism works, from toilets to cabbages to nudes
Tuesday, 14 September 2010
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/9451a5d5fc272af67b69a69e7fb8d7d8.jpg?itok=s5ifpgml)
Edward Weston's 'Golden Circle Mine, Death Valley', 19381981 Centre for Creative Photography, Arizona Board of Regents
Edward Weston was once obsessed with photographing "toilets" (his word) and did it repeatedly in pursuit of the perfect image. "That gloss enamelled receptacle of extraordinary beauty" is how he described the scuzzy lav at the Gold Circle Mine in Death Valley, and seemingly near-orgasmic with excitement, said it was "an absolute, aesthetic response to form". That statement wasn’t about toilets alone, of course; this legend of American photography was, understandably, a perfectionist in every thing he photographed.
Edward Weston was once obsessed with photographing "toilets" (his word) and did it repeatedly in pursuit of the perfect image. "That gloss enamelled receptacle of extraordinary beauty" is how he described the scuzzy lav at the Gold Circle Mine in Death Valley, and seemingly near-orgasmic with excitement, said it was "an absolute, aesthetic response to form". That statement wasn’t about toilets alone, of course; this legend of American photography was, understandably, a perfectionist in every thing he photographed.
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