sun 09/02/2025

America

Widmann, LSO, Pappano, Barbican review - razor-sharp attack in adrenalin charges

Perhaps all great music counterpoints and comments on the times, but Antonio Pappano and the London Symphony Orchestra have been searingly congruent. Before he took up his post as Chief Conductor, there were the extinction whispers of Vaughan...

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Oedipus, Old Vic review - disappointing leads in a production of two halves

The opening scene of the Old Vic’s Oedipus is dominated by a giant backdrop of a skull-like face, eyes shut and rock-like. It belongs to the actor playing Oedipus, presumably, Rami Malek. This is as near to a close-up of the title character as we...

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Mrs President, Charing Cross Theatre review - Mary Todd Lincoln on her life alone

The phenomenal global success of Six began when two young writers decided to give voices to the wives of a powerful man, bringing them out of their silent tombs and energising them and, by extension, doing the same for the women of today. Its...

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Vietnam: The War That Changed America, Apple TV+ review - painful and poignant stories from a terrible conflict

It’s been 50 years since the USA bowed to the inevitable and pulled out of Vietnam, in the midst of harrowing scenes of anguish and chaos. Apple’s new six-part documentary series doesn’t bring any astounding new revelations about America’s traumatic...

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Paradise, Disney+ review - enigmatic drama with an unknown destination

The latest from the This Is Us creator, Dan Fogelman, is a futuristic take on relationships among survivors once Earth has suffered an extinction event, a popular concept in these troubled times. Except that it starts out by following an equally...

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Album: Bonnie 'Prince' Billy - The Purple Bird

Somewhat astoundingly, The Purple Bird is Will Oldham’s album number 21 using his Bonnie “Prince” Billy alias. A fine set of alt country tunes, recorded in Nashville and largely co-written with producer David Ferguson, it also happily suggests that...

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Flight Risk review - the sky's the limit for Michelle Dockery and Mark Wahlberg

Director Mel Gibson probably made Flight Risk with Netflix’s “90-minute movies” slot in mind (in fact he overshot – it lasts 91 minutes). It hits the spot of “escapist no-brainer action flick” by being lean, sharply-focused and amusingly...

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Presence review - Soderbergh's haunted camera

The camera is the ghost in Steven Soderbergh’s 35th feature, waiting in a vacant house for its buyers, ambitious Rebecca (Lucy Liu, pictured bottom), her favoured teenage son Tyler (Eddy Maday), cowed husband Chris (Chris Sullivan) and troubled...

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The Brutalist review - we're building to something

There’s a moment, as we build to a climax in Brady Corbet’s first film, The Childhood of a Leader (2015), when a servant at a grand house unwittingly nudges a candle into the path of a dangling curtain pull. The tassel ignites, unseen by gathering...

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Tiffin Youth Choir, London Philharmonic Orchestra and Chorus, Jurowski, RFH review - perfect detachment suits public statements

When Vladimir Jurowski planned this typically unorthodox programme, he could not have known that a disaster even greater, long-term, than 9/11 was going to befall the USA two days after the concert. There is no bad time for a tricky commemoration of...

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Blu-ray: Mikey and Nicky

The blurb that accompanies this Criterion Blu-ray calls Elaine May’s Mikey and Nicky, which co-stars John Cassavetes and Peter Falk as scuzzy, low-ranking gangsters on the run from their bosses, “an unsung masterpiece of American cinema”. For once,...

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David Lynch: In Dreams (1946-2025)

David Lynch’s final two features mapped a haunted Hollywood of curdled innocence and back-alley eeriness. Mulholland Drive (2001) seemed the ultimate LA noir, till Inland Empire (2006) dug into deepest Lynch. The eighteen fallow big-screen years...

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