thu 19/09/2019

modernism

Martin Gayford: The Pursuit of Art review - devotion, distilled

This is a book about experiences that go beyond reading about art. Martin Gayford’s 20 short essays about press trips and self-motivated travel concern meetings – in the flesh, in real time and space – with art that includes murals, sculptures and...

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Cutting Edge: Modernist British Printmaking, Dulwich Picture Gallery review - a cut above

Under a turbulent sky racked with jagged clouds suggesting bolts of lightning, pale figures hurl themselves into a spitting expanse of water. Swathed in white towels, other figures mingle with the pink bodies, seeming to process along the pier as if...

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Henry Moore at Houghton Hall: Nature and Inspiration review - big views bring new light

Placed in a long and artfully Arcadian vista, earthy bronze subdued against verdant grass and trees, the restless form of Henry Moore’s Two Piece Reclining Figure: Cut, 1979-81 (Main picture), both disrupts and is absorbed by its surroundings. A...

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Van Gogh and Britain, Tate Britain review - tenuous but still persuasive

Soon after his death, Van Gogh’s reputation as a tragic genius was secured. Little has changed in the meantime, and he has continued to be understood as fatally unbalanced, ruled by instinct not intellect. Van Gogh’s characterisation of himself as a...

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Fiona MacCarthy: Walter Gropius review - a master of modernism

The centenary of the founding of the Bauhaus (literally, “Building House”) art school is on us, prompting publications and exhibitions worldwide. Subtitled “Visionary Founder of the Bauhaus”, Fiona MacCarthy’s revelatory biography of the figure...

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Hallé, Elder, Bridgewater Hall, Manchester review – three iconic works

At first sight, performing Stravinsky’s The Rite of Spring – premiered in 1913 and sometimes seen as presaging the whole world of modernism – in the centenary year of the 1918 Armistice might seem to be lagging behind in timing (if centenaries float...

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DVD/Blu-ray: Columbus

The director of this deeply charming debut feature is the Korean-American film critic who writes under the pseudonym Kogonada; one of his principle interests over the years has been the great Japanese director Yasujiro Ozu, and there’s something of...

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Prom 65, London Voices, BBCSO, Bychkov review - 20th century masterpieces hit home

This Prom had three pieces from times of social crisis, although only one faces its crisis head on. Stravinsky’s Rite of Spring hides its pre-war angst behind a story of pagan Russia while Ravel’s post-war desolation is danced in decadent Viennese...

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Roderic O’Conor and the Moderns, National Gallery of Ireland review - experiments in Pont-Aven

In the autumn of 1892 Émile Bernard wrote home to his mother that, following the summer decampment to Pont-Aven of artists visiting from Paris and further afield, there remained "some artists here, two of them talented and copying each other. One...

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'That brick red frock with flowers everywhere': painting Katherine Mansfield

The well-known portrait of New Zealand’s greatest writer, Katherine Mansfield, is exactly 100 years old on 17 June 2018 (main picture). It was painted by the American artist Anne Estelle Rice. At that time, Mansfield and Rice were both staying in...

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BBC NOW, Alexandre Bloch, Hoddinott Hall, Cardiff review - tonal music in an avant-garde sense

This is the 50th Vale of Glamorgan Festival, and as its founder and director, John Metcalf, reminded us in a brief post-interval speech, he has been at all of them. Indeed the festival has increasingly mapped itself on to his personal view of what a...

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The Flying Lovers of Vitebsk, Brighton Festival review - a dynamic dedication to an artist's muse

They say that behind every successful man is a strong woman. The Flying Lovers of Vitebsk is as much – if not more so – the championing of the unsung hero in this story of the famous early modernist artist, Marc Chagall. His wife, Bella – early muse...

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